Film Review
The Miracle Woman is the film
where Frank Capra, with around twenty films already under belt, found
his voice and is the first of his noteworthy morality films. This
was his second collaboration with Barbara Stanwyck, an actress who
quickly rose to fame under Capra's tutelage, whilst providing the
director with the perfect muse for his early 1930s films, on account of
her ability to play tough, often cynical women sympathetically and
convincingly.
Inspired by the scandalous well-known story of a real-life evangelist
Aimée Semple McPherson,
The
Miracle Woman combines an important social issue - the
exploitation of the Christian faithful by unscrupulous conmen - with a
poignant love story. David Manners gives the performance of his
career as the blind man whose faith in an embittered young woman
redeems her and gives them both the prospect of a happier life.
The scene where Manners attempts to tell Stanwyck he loves her through his
ventriloquist's doll is one of such devastating poignancy that it is
almost unbearable to watch. What could so easily have degenerated into
low grade schmaltz is, thanks to Capra's restrained direction and the
engaging, understated performance of his lead players, a moving tale of
redemption through love, a theme that Capra would revisit many times in
his subsequent career.
© James Travers 2009
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Next Frank Capra film:
American Madness (1932)
Film Synopsis
When her father, a church minister, dies from a broken heart after
having been dismissed by his parish, Florence Fallon turns on his
congregation, bitterly charging them with ingratitude and
hypocrisy. Impressed by her impassioned tirade, promoter and con
man Bob Hornsby persuades Florence to become an evangelical
preacher. Together, they will stage fake healings across the
United States and extort money from the faithful gullible. The
scam proves to be a great success and soon the money is rolling
in. Unable to find work on account of his blindness, former pilot
John Carson is about to commit suicide when he hears one of Florence's
sermons on the radio. Moved by what he has heard, John attends
Florence's next public meeting and volunteers to step into a lion's den
with her. Believing in Florence's goodness, John falls in love
with her and she, moved by his faith in her, begins to love him and see
the error of her ways. Unfortunately, Hornsby has other ideas and
tells Florence that she is too deeply embroiled in his fraud to just
walk away from it...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.