Lumière et compagnie (1995) Directed by Theodoros Angelopoulos, Vicente Aranda
Documentary
aka: Lumière and Company
Film Review
To celebrate the centenary of the Lumière brothers' invention of the cinematograph
(the forerunner of the modern film camera), 39 distinguished film directors from across
the world took up the challenge to make a short film using the Lumières' original
equipment. The films had to be 52 minutes in length, not use synchronised sound
and take no more than three takes. The difference in cinematic styles and cultural
backgrounds is reflected in the resulting series of films, which range form the banal
to the surreal and frankly bizarre.
Disappointingly, only a few of the directors managed to come up with an imaginative short
film. Most were presumably content to have mastered the immense difficulties of
making a film with such primitive equipment. Of particular note are the films recorded
by Michael Haneke (a summary of the news on the day of the Lumieres' anniversary), Régis
Wargnier (a touching portrait of French president François Mitterand, a few
months before his death) and David Lynch (a block-buster sci-fi/horror mini-epic).
The films also includes a few of Louis Lumiere's original films, magnificently restored.
The film also goes in front of the camera and allows the film-makers to express some of
their thoughts about their art. Here again only a few of the great men and women
have anything original to say. Whilst it would be unfair to say that this film was
a wasted opportunity, it is certainly does contain a lot of mediocre material and is hardly
a fitting tribute to the birth of cinema.
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Film Synopsis
To mark the centenary of the invention of the cinematograph by the
Lumière brothers in 1885, forty filmmakers from around the world
each contribute a 52 second film, shot with the Lumières'
original camera...
Director: Theodoros Angelopoulos,
Vicente Aranda,
John Boorman,
Youssef Chahine,
Alain Corneau,
Costa-Gavras,
Raymond Depardon,
Francis Girod,
Peter Greenaway,
Lasse Hallström,
Hugh Hudson,
Gaston Kaboré,
Abbas Kiarostami,
Cédric Klapisch,
Andrey Konchalovskiy
Script: Philippe Poulet
Cinematographer: Didier Ferry,
Frédéric LeClair,
Sarah Moon,
Philippe Poulet
Cast: Jeffe Alperi (Policeman - David Lynch),
Romane Bohringer (Claude Miller),
Michele Carlyle (David Lynch),
Lou Chapiteau (Claude Miller),
Marc Chapiteau (Claude Miller),
Antoine Duléry (Claude Lelouch),
Pascal Duquenne (Jaco Van Dormael),
Bruno Ganz (Damiel - Wim Wenders),
Charles Gérard (Claude Lelouch),
Ticky Holgado (Claude Lelouch),
Neil Jordan (John Boorman),
Patrice Leconte (Himself - Sarah Moon),
Satchel Lee (Spike Lee),
Spike Lee (Himself - Sarah Moon),
Claude Lelouch (Himself - Sarah Moon),
Stan Lothridge (Policeman - David Lynch),
David Lynch (Himself),
Alessandra Martines (Claude Lelouch),
François Mitterrand (Himself - Régis Wargnier),
Liam Neeson (John Boorman)
Country: France / Denmark / Spain / Sweden
Language: French / English / Danish / Norwegian / Swedish / Greek / Japanese / Mandarin
Support: Black and White / Color
Runtime: 88 min
Aka:Lumière and Company
The very best of German cinema
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.