La Tournée des grands Ducs (1953) Directed by André Pellenc, Norbert Carbonnaux
Comedy / Musical
Film Review
If La Tournee des grands Ducs
has a plot, or something vaguely approximating to a plot, it's
incredibly well concealed by the plethora of (mostly second rate)
musical hall acts that take up most of the runtime. It's supposed
to be a comedy, but it struggles to raise so much as a grudging titter,
such is the dismal quality of the script. The screenwriter
Norbert Carbonnaux took over the directing duties from André
Pellenc but failed to salvage what was already a comedy misfire.
The one good thing to come out of the film was that Carbonnaux would
re-employ Raymond Bussières and Christian Duvaleix on his next
film, the somewhat more entertaining Les Corsaires du bois de Boulogne
(1954). More than a decade before he became a comedy legend,
Louis de Funès shows up in a small role, stealing the film with
effortless ease as he does so. Carbonnaux may not have been a
great director, but he recognised talent when he saw it - de
Funès's talents would be put to good use in his subsequent
comedy Courte Tête (1956).
The above content is owned by filmsdefrance.com and must not be copied.
Film Synopsis
Gaston, the son of the notary Fromageot, is in love with Brigitte, the
daughter of a baroness. Shortly after his arrival in Paris, he
loses some money entrusted to him by the baroness and he ends up
working in a cabaret to try to make good his loss. Anxious over
Gaston's long absence away from home, the notary, the baroness and
Brigitte set out for the capital, unaware that Gaston is busy
organising a festival...
Cast:Raymond Bussières (Louis),
Denise Grey (La baronne),
Roméo Carlès (Me Fromageot),
Sophie Sel (Brigitte),
Pierre Duncan (Max),
Jean Daurand (Un dragueur au 'Balajo'),
Jean Dunot (Le domestique de la baronne),
Louis Viret (Un présentateur du cabaret),
Louis de Funès (Le directeur de l'hôtel),
Jean Carmet (Le curé du village),
Lily Fayol (Une chanteuse),
Christian Duvaleix (Gaston Fromageot),
Francisco Grandey (Francisco),
Jack Ary (Un homme au 'Balajo'),
Mario David (Une attraction au 'Balajo'),
Lucien Frégis (Un responsable du cabaret),
Suzanne Grey (Une barmaid),
Grégoire Gromoff (Le chasseur de l'hôtel),
Sylvain Levignac (Un homme au bar),
Robert Mercier (Un agent)
Country: France
Language: French
Support: Black and White
Runtime: 80 min
The best French Films of the 1920s
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
Franz Kafka's letters to his fiancée Felice Bauer not only reveal a soul in torment; they also give us a harrowing self-portrait of a man appalled by his own existence.