Although somewhat dated, Courte tête is
an engaging comedy which still has some entertainment value despite its lethargic pace
and implausible comic situations. Louis de Funès makes a few appearances
in the film (in various disguises) and it goes without saying that his contributions are
the most memorable. French film buffs may be interested to know that Jacques Deray
and Georges Lautner both worked on this film as assistant directors, not long before they
both established themselves as film directors of no mean talent.
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Film Synopsis
Amédée Lucas is a naïve young man who scrapes a semi-honest
living by selling betting tips to horse racing addicts at the entrance to
the Longchamp racecourse in Paris. A well-dressed gentleman, Olivier
Parker, takes pity on the poor man and, seeing he is half-starved, takes
him to a restaurant with a business proposition in mind. Little does
Amédée suspect that Parker is an experienced con artist who
intends making use of him in his next nefarious little scheme.
Passing himself off as a big league horse trainer, Parker introduces Amédée
to a poultry farmer named Ferdinand Galiveau as Teddy Morton, his most experienced
jockey. By persuading Galiveau, and others, to bet on a horse that
has no chance of winning, Parker plans to make himself a small fortune.
All that Amédée has to do is to convince Parker's hapless victims
that any bet placed on his horse is guaranteed to come off. The seemingly
fool-proof scheme does not go quite as planned and it is Galiveau who gets
the last laugh, winning the jackpot by betting on another horse in secret
and leaving the con artist Parker with nothing after falling for his own
scam...
Script: Albert Simonin, Michel Audiard (dialogue), Norbert Carbonnaux
Cinematographer: Roger Dormoy
Music: Jean Prodromidès
Cast:Fernand Gravey (Olivier Parker),
Micheline Dax (Lola d'Héricourt),
Jean Richard (Ferdinan Galiveau),
Jacques Duby (Amédée Lucas),
Robert Murzeau (Le tailleur),
Hubert Deschamps (Le serveur 'Gay Paris'),
Jacques Dufilho (Le garçon d'écurie),
Harry-Max (Cyril Mauvoisin),
Pascal Mazzotti (Le maître d'hôtel),
Annick Tanguy (La danseuse de Mambo),
Darry Cowl (Le réceptionniste de l'hôtel),
Max Révol (Général des Empois),
Louis de Funès (Prosper),
Jack Ary (Un inspecteur),
Jenny Astruc (Une servante de l'hôtel),
Guy Bedos (Fred Campuche),
Paul Bisciglia (Un chasseur de l'hôtel),
Christian Brocard (L'homme qui vend des tuyaux hippiques),
Max Dalban (Le gros homme du hammam),
Michel Dancourt (Le responsable du réveil à l'hôtel)
Country: France
Language: French
Support: Black and White
Runtime: 110 min
Aka:Short Head ;
Photo Finish
The greatest French film directors
From Jean Renoir to François Truffaut, French cinema has no shortage of truly great filmmakers, each bringing a unique approach to the art of filmmaking.
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.