Film Review
Pascal Thomas's filmmaking career got off to a flying start with a
trilogy of portraits of adolescence that is considered some of his best
work -
Les Zozos (1973),
Pleure pas la bouche pleine (1973)
and
Le Chaud lapin
(1974). His later film
Confidences
pour confidences is a continuation of this series of films, a
similarly intimate portrait of family life that is as authentic as it
is engaging. Banal incident takes up most of the film's run time,
but Thomas's distinctive approach - gentle humour tinged with
melancholy - makes it one of his warmest and most satisfying
films.
There are some distinguished actors in the supporting cast - Jacques
Villeret, Michel Galabru, Bernard Menez - and Daniel Ceccaldi finds
himself in a made-to-measure role, but it is the enchanting
ingénue Anne Caudry who steals most of our attention,
captivating in her first screen role. Thirteen years later,
Caudry would be cut off in her prime, one of the first women in France
to die from AIDS. This fact adds a bitter poignancy to
Confidences pour confidences, the
film that launched her on her short but impressive screen career.
© James Travers 2015
The above content is owned by filmsdefrance.com and must not be copied.
Next Pascal Thomas film:
Les Maris, les femmes, les amants (1989)
Film Synopsis
Recalling the story of her family, Brigitte takes us back to the 1950s,
when she was living an idyllic life with her sisters Pierrette and
Florence, and parents, the owners of a grocers' shop. Suffering
from anaemia, Brigitte has to stay with her grandparents in the country
whilst the rest of her family moves to Paris. After the death of
her grandmother, Brigitte rejoins her family in Paris and is struck by
how much her sisters have changed. Ten years later, Pierrette is
married, Florence works in the cinema and Brigitte survives on odd jobs
before meeting François. Discovering she is pregnant,
Brigitte chooses not to marry François, and after a miscarriage
she leaves her family to work with Dora, a friend...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.