Andréa Parisy

1935-2014

Biography: life and films

Abstract picture representing Andrea Parisy
Andréa Parisy may not have had the most prolific of screen careers (she appeared in only 24 films between 1953 and 1999) but she made her impact during her all too brief period of stardom in the early 1960s. Her original name was Andrée Marcelle Henriette Parisy and she was born in Levallois-Perret, France on 4th December 1935. The stunning brunette with Audrey Hepburn eyes made her screen debut in walk-on parts in Ralph Habib's Les Compagnes de la nuit (1953) and Yves Ciampi's L'Esclave (1953). Her first break came when she was cast as the daughter of Raymond Souplex and Jane Sourza in the early Louis de Funès comedy Bébés à gogo (1956). It was in Marcel Carné's Les Tricheurs (1958) that Parisy secured her place in French film history, as a liberated young woman having to deal with an unintended pregnancy.

Parisy then played the ambiguous female lead alongside Lino Ventura in Gilles Grangier's crime drama 125, rue Montmartre (1959), before partnering Edmond O'Brien and Richard Basehart in Yves Allégret's L'Ambitieuse (1959). In Jean Delannoy's murder mystery, Le Rendez-vous (1961) she was suitably cast as a photographer's model and likely murder suspect. She had a small part in Jacqueline Audry's spirited comedy Les Petits matins (1962) and caused trouble for lorry driver Jean-Paul Belmondo as the femme fatale in Henri Verneuil's Cent mille dollars au soleil (1964). In the 1965 comedy anthology Les Bons vivants, she gave great value in the role of an upwardly mobile prostitute. It is for the role of the feisty resistance nun Sister Marie-Odile in Gerard Oury's La Grande vadrouille (1966) that Parisy is now most fondly remembered.

After this Andréa Parisy appeared with comedy giant Louis de Funès one more time, in Le Petit baigneur (1968). That same year, she appeared as Princess Stephanie in Terence Young's lavish period piece Mayerling. Then she had the unenviable job of coming between Serge Gainsbourg and Jane Birkin in Pierre Grimblat's Slogan (1969). After this, her career in decline, she only appeared in minor roles in three other films, finally taking her cinema bow in Benoît Jacquot's Pas de scandale (1999). Her last screen appearance was in the television series Navarro (2001). After a long illness, Andréa Parisy died in Paris on 27th April 2014, aged 78. She is now buried in Père-Lachaise cemetery in Paris.
© James Travers 2017
The above content is owned by filmsdefrance.com and must not be copied.



The best films of Ingmar Bergman
sb-img-16
The meaning of life, the trauma of existence and the nature of faith - welcome to the stark and enlightening world of the world's greatest filmmaker.
Continental Films, quality cinema under the Nazi Occupation
sb-img-5
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
The best of Indian cinema
sb-img-22
Forget Bollywood, the best of India's cinema is to be found elsewhere, most notably in the extraordinary work of Satyajit Ray.
The history of French cinema
sb-img-8
From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.
The very best period film dramas
sb-img-20
Is there any period of history that has not been vividly brought back to life by cinema? Historical movies offer the ultimate in escapism.

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright