Film Review
Michel Deville's illustrious film career as a director began not so
much with a bang as with a muted whimper, via this derivative crime
drama. Deville shared the directing duties with another first
timer, Charles Gérard, who is better known today as an actor,
most prominently in a series of films directed by Claude Lelouch in
which he played a character named Charlot. Leaping onto the first
band wagon that came their way, namely American-style film noir
gangster films, Deville and Gérard did a good job of mopping up
all the clichés but failed spectacularly to deliver an original
work of cinema that was likely to grab the attention of critics and
audiences. Despite being part-scripted by Albert Simonin, whose
crime novels have frequently been adapted for French cinema,
Une balle dans le canon manages to
be aimless, dull and formulaic, with Deville's penchant for random plot
digressions weakening an already insipid narrative. The one
saving grace is that the film is reasonably well-cast, with Paul
Frankeur providing the dramatic muscle it badly needs as stereotypical
hoodlum. Jean Rochefort had his first credited film role here,
appearing in a scene with another celebrated actor near the start of
his career, Michel Lonsdale. After this far from auspicious
beginning, Michel Deville found his voice with his next film,
Ce soir ou jamais (1961), the
first in a series of gentle comedies that earned him his directing
credentials.
© James Travers 2014
The above content is owned by filmsdefrance.com and must not be copied.
Next Michel Deville film:
Ce soir ou jamais (1961)
Film Synopsis
Dick and Tony are two veterans of the war in Indochina who have turned
to trafficking to make a living. They accept a commission from a
gangster known as Le Maltais to deliver 25 million francs. When
their employer fails to turn up to claim his money, the two men decide
to keep the money for themselves and buy a nightclub. Anxious that Le
Maltais will one day try to reclaim his money, Dick
and Tony hire a hitman, Pépère, to get rid of him.
Unfortunately, this only makes a bad situation worse...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.