Film Review
To this day, the cause of the Hindenburg disaster remains a mystery,
although many plausible theories have been put forward. Robert
Wise's 1975 film
The Hindenburg
presents one of the more fanciful theories, that of sabotage by a lone
anti-Nazi resistance fighter. Michael M. Mooney's book of the
same title provides the story, which was developed into a screenplay by
Richard Levinson and William Link, the creators and producers of such
popular television shows as
Columbo,
Ellery Queen and
Murder, She Wrote. A stickler
for detail, Robert Wise was the ideal person to direct the film, and he
spent about a year undertaking meticulous research before the film went
into production.
The Hindenburg
makes a valiant attempt to bring together two disparate genres, the
serious historical drama and the popular disaster movie, but it falls
short of success on both counts. Even though the film was far
from being a flop, the critics tore it to pieces and it remains one of
Robert Wise's least well-regarded films. The version of events it
depicts has also been largely discredited by the experts.
The script and cast are pretty much what you would expect for a 1970s
American disaster movie - the usual line-up of big-name actors
struggling to make their one-dimensional characters remotely convincing
as the clock ticks down to the inevitable disaster denouement.
Wise does a reasonably good job of maintaining the suspense but this is
definitely, if you'll pardon the expression, a slow burner. Very
little happens until the last reel of the film, by which point most of
the audience will have either fallen asleep or gone off to do something
far more interesting, like watch paint dry. On the plus side, the
special and visual effects are exceptional for a film of this era
(these won their creators two Special Achievement Academy Awards, and justly so), but,
stunning as they are, pretty pictures of the Hindenburg sailing gracefully across the
Atlantic are not enough to sustain the viewer's interest throughout
this dawdling two hour long epic.
Not surprisingly, the film only comes to life in its last ten minutes
when all Hell breaks loose and the doomed airship earns its place in
the history books. It was an inspired touch to splice in real
footage of the actual disaster, although this necessitated that the
last part of the film be shot in monochrome. (Switching between
colour and black and white would have been blatantly
absurd.) Given how intensely dramatic and
moody the film's denouement is, you can't help wishing that its makers had been a
little braver and taken the decision to shoot the
entire film in
black-and-white. The confined setting aboard the airship would
have been far more atmospheric and Wise would doubtless have had more
scope for ratcheting up the tension and suspense - with a better script
this could been a riveting character-centric drama. As it is,
what we end up with is a rather formulaic, plodding disaster movie whose
only virtue is to remind us of one of the most terrible incidents in
aviation history. No matter how many times we see those horrific
images that shook the world on Thursday 6th May 1937 it is impossible
not to be shocked and moved by them. It is genuinely a scene from
the Apocalypse.
© James Travers 2012
The above content is owned by filmsdefrance.com and must not be copied.
Next Robert Wise film:
Star Trek: The Motion Picture (1979)
Film Synopsis
May, 1937. The German embassy in Washington D.C. has received a
letter warning that the Hindenburg, the pride of the German Zeppelin
Airline Company, will explode over New York in the near future.
Aware of the propaganda victory anti-Nazi rebels will score if they
were to destroy the airship, the German authorities take the threat
seriously. Luftwaffe Colonel Franz Ritter is assigned to see that
the Hindenburg comes to no harm on her next commercial flight across
the Atlantic. Assisted by a Gestapo agent, Martin Vogel, Ritter
investigates everyone on board the ship, passengers and crew alike,
including his old friend, the Countess Ursula von Reugen. Ritter
finally narrows the suspects down to one man, Karl Boerth, a one-time
Hitler Youth Leader who plans to blow up the airship with a time bomb
in an attempt to galvanise opposition to the Nazi regime. Boerth
has no desire to kill the passengers and so he makes an agreement with
Ritter to explode his bomb only after everyone has disembarked from the
Hindenburg. Unfortunately, the airship's arrival is delayed by
strong headwinds and Boerth is prevented from putting back the time of
the explosion when Vogel unmasks him as the saboteur. The
disaster is now unavoidable...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.