Film Review
One of the slickest and most compelling political thrillers of the
1970s,
The Day of the Jackal
still impresses with its authenticity, superlative narrative
construction and a memorable central performance from Edward Fox.
Closely based on what is arguably the best of Frederick Forsyth's
thriller novels, the film compares and contrasts the professionalism
and precision of the assassin, a man who knows what he is
doing, with the bungling police, who seem to get results more by luck
than by aptitude.
The film's slow pace and cold, almost documentary-style presentation clearly
owe something to French film director Jean-Pierre Melville,
whose austere policiers such as
Le Samourai (1967) and
Le Cercle rouge (1970) continue to influence filmmakers
around the world.
It would be stretching it to say that this is a comedy, but there is
certainly a comedic undercurrent, which is fuelled by Michael
Lonsdale's subtly humorous portrayal of a slightly ham-fisted
investigator.
Joining the cast of very distinguished British
character actors are several notable French thesps, including Delphine
Seyrig, Jacques François and Philippe Léotard, the latter
of whom would star in many French thrillers of this kind throughout the
following decade.
The Day of the Jackal was
directed by Fred Zinnemann, a prolific Hollywood filmmaker who had
previously made such enduring classics as
From Here to Eternity (1953),
Oklahoma!
(1955) and
A Man for All Seasons (1966),
as well as Marlon Brando's startling debut feature
The
Men (1950). These films testify to Zinnemann's
extraordinary versatility and skill as a filmmaker. Although
The Day of the Jackal was not a
commercial success when it was first released, today it is regarded as
one of the finest films of its kind, and is certainly vastly superior
to its 1997 remake,
The Jackal,
which starred Bruce Willis and Richard Gere.
© James Travers 2009
The above content is owned by filmsdefrance.com and must not be copied.
Next Fred Zinnemann film:
Menschen am Sonntag (1930)
Film Synopsis
Dissatisfied with President De Gaulle's decision to grant independence
to Algeria, a number of men in the French military form an underground
organisation, the OAS, with the sole aim of assassinating the
president. A first assassination attempt in August 1962
ends in failure. The target escapes unharmed and the would-be
assassins are rounded up by the French police and executed. This
outcome does not deter the surviving members of the OAS, who decide to
hire a professional hit-man to kill the president. The man
selected for the job has no past, is unknown to the police, and is
identified only by his codename: The Jackal. After meticulous
preparation, the assassin makes his way to Paris to carry out his
assignment, unaware that the police have already begun to uncover his
plan...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.