Oklahoma! (1955)
Directed by Fred Zinnemann

Musical / Comedy / Romance / Western

Film Review

Abstract picture representing Oklahoma! (1955)
The first of the great Rodgers and Hammerstein musicals finally made it to the big screen, just over decade after it first triumphant staging on Broadway.  Fred Zinnemann seems an odd choice to direct the film, since his forte was gritty realist dramas not light-hearted exuberant fare such as this.   The fact that Rodgers and Hammerstein were both heavily involved in the making of the film ensured that it was never going to depart too far from the original stage production, which is both to the film's advantage and its detriment.  We get all the great musical numbers and dance routines, but the film is hardly more than a stage treatment, taking little advantage of the possibilities that glorious CinemaScope offers (other than one or two pretty panoramic shots of the countryside).

Gordon MacRae and Gloria Grahame get the best tunes (including Oh What Beautiful Morning, and I Can't Say No), and are the only cast members who shine, whilst Rod Steiger is patently miscast and helps to lower the standard by several notches.  The film's central flaw is that of the musical on which it is based - its daft homespun plot.  Likewise, its strengths are that of the original show: the jaunty songs and well choreographed dances.  Oklahoma! is most definitely not the greatest of Hollywood musicals but it is hard not to succumb to its charms and enjoy it immensely, if you are in the right frame of mind.
© James Travers 2009
The above content is owned by filmsdefrance.com and must not be copied.
Next Fred Zinnemann film:
The Old Man and the Sea (1958)

Film Synopsis

Oklahoma, in the early 1900s.  Curly, a cowboy who lives with his aunt Eller, is in love with Laurey, and has offered to take her to the Skidmore dance.  Laurey declines the invitation because she has already been asked by Jud Fry, a surly farm hand who also has the hots for her.  Laurey meets up with her friend, Ado Annie, who appears to have fallen for a peddler named Ali Hakim, even though she had intended to marry another man, Will Parker.  Meanwhile, Curly tries to dissuade Jud from taking Laurey to the dance, in vain.  In truth, Laurey despises Jed and secretly has eyes for just one man, Curly...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Fred Zinnemann
  • Script: Sonya Levien (play), William Ludwig (play), Lynn Riggs (play)
  • Cinematographer: Robert Surtees
  • Cast: Gordon MacRae (Curly McLain), Gloria Grahame (Ado Annie Carnes), Gene Nelson (Will Parker), Charlotte Greenwood (Aunt Eller), Shirley Jones (Laurey Williams), Eddie Albert (Ali Hakim), James Whitmore (Mr. Carnes), Rod Steiger (Jud Fry), Barbara Lawrence (Gertie Cummings), Jay C. Flippen (Skidmore), Roy Barcroft (Marshal), James Mitchell (Dream Curly), Bambi Linn (Dream Laurey), Jennie Workman (Dancer), Virginia Bosler (Dancer), Kelly Brown (Dancer), Evelyn Taylor (Dancer), Lizanne Truex (Dancer), Jane Fischer (Dancer), Marc Platt (Dancer)
  • Country: USA
  • Language: English
  • Support: Color
  • Runtime: 145 min

The best French films of 2019
sb-img-28
Our round-up of the best French films released in 2019.
The best French films of 2018
sb-img-27
Our round-up of the best French films released in 2018.
The very best American film comedies
sb-img-18
American film comedy had its heyday in the 1920s and '30s, but it remains an important genre and has given American cinema some of its enduring classics.
The best French Films of the 1920s
sb-img-3
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
The brighter side of Franz Kafka
sb-img-1
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright