Film Review
Ealing Studio's
Went the Day Well?
(1943) is widely considered to be one of the best British war
films, but another war film from the same company,
The Captive Heart, is just as
deserving of praise and attention. This was one of the first
films to portray life in the prisoner-of-war camps and is a forerunner
to films such as
The Colditz Story (1955) and
The Great Escape (1963).
The film pays tribute to those men who spent the war years not on the
battlefields, winning honours and actively serving their country, but
living in deplorable prison camps, cut off from the rest of the world
and not knowing which way the war was going.
The Captive Heart is a
beautifully crafted film that combines some strikingly evocative
chiaroscuro cinematography with an almost documentary-style naturalism
(achieved by using a real German prisoner-of-war camp as the principal
location). Excellent performances from an ensemble cast of
some of Britain's finest character
actors of the period (including Jack Warner, who cited this as his favourite film role)
and a realistic story vividly convey how life was in the camps, perhaps
more so than any subsequent film of this kind. Some forced
sentimentality creeps in towards the end, but this is not enough to
diminish the poignancy and authenticity of what is, by any
criterion, a remarkable film.
© James Travers 2009
The above content is owned by filmsdefrance.com and must not be copied.
Next Basil Dearden film:
The Blue Lamp (1950)
Film Synopsis
In August 1940, a German prisoner-of-war camp receives a fresh intake
of captured British soldiers. These include Captain Hasek, a
Czech soldier who, after escaping from a Nazi concentration camp, stole
the uniform and papers from a dead British soldier named Captain
Mitchell. The other soldiers grow suspicious of Hasek
because of his ability to speak German fluently but the Czech wins them
around and convinces them that if his true identity is discovered he
will be executed by the Nazis. To prevent his captors from
becoming suspicious, Hasek begins corresponding with Mitchell's wife
and unwittingly rekindles her love for her husband...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.