Film Review
For many people, the word
Colditz
sends a shiver down the spine, immediately conjuring up memories of the
unremittingly bleak television series, first broadcast by the BBC in
Britain in the early seventies, which gave a harrowing depiction of the events
described in searing detail in P.R. Reid's WWII memoirs.
However, several years before that, Reid's book had provided the basis
for a notable film drama, directed by Guy Hamilton, who
was himself a WWII veteran, having played an
active role in the French Resistance. Today,
Hamilton is probably best remembered for the four James Bond films he made,
including the classic
Goldfinger
(1964), although his best work includes his compelling war films,
The Colditz Story and
Battle of Britain (1969).
It is interesting to compare the BBC series, with its harsh realism,
with this film, which is much lighter in tone and yet just as
authentic. In the film, the recurring prison escapes become a
kind of game, with each side relishing the opportunity to outwit the
other. The grim reality of the situation is so downplayed that
the spectator in uncertain who deserves more sympathy, the prisoners
whose spirit appears to be unbreakable, or the German soldiers who have
the unenviable task of keeping them in check. This is probably
what makes the film's darker sequences so effective and so
shocking. What had appeared to be a harmless game suddenly
assumes a much more tragic aspect; it feels like you have been kicked in the
stomach when sympathetic, well-drawn characters slip up and meet an
abrupt and horribly brutal end.
The Colditz Story is an absorbing
and suspenseful wartime drama that combines the
humanity of Jean Renoir's
La Grande illusion (1937) with
the downbeat humour of John Sturges's
The Great Escape (1963) and yet
stands apart as an altogether different kind of P.O.W.
drama. The stark, very nearly expressionistic, black-and-white
cinematography lends an atmosphere of menace and grim foreboding that
gives the setting, the apparently inviolable Colditz Castle, its own
forbidding character. Meanwhile, the prisoners are portrayed not as the
familiar gung-ho action heroes but as down-to-Earth servicemen who
appear to be unaware of their bravery and resilience. This is a
fitting tribute to those who participated in the escapes from the Nazi
prisoner-of-war camps during WWII, only a small proportion of whom made
it back home to tell the tale.
© James Travers 2009
The above content is owned by filmsdefrance.com and must not be copied.
Next Guy Hamilton film:
Goldfinger (1964)
Film Synopsis
1942, Saxony. After an unsuccessful escape from a German
prisoner-of-war camp, captured British army officers Pat Reid and Mac
McGill are sent to Oflag IV-C, a castle prison that is reputedly
escape-proof. These latest arrivals waste no time planning their
next escape, but their efforts are thwarted by escape attempts by
prisoners of other nationalities. McGill takes the initiative and
convinces the different parties to coordinate their bids for
freedom. When several subsequent escape attempts fail, it becomes
clear that one of the prisoners is a Nazi informer...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.