The Big Steal (1949)
Directed by Don Siegel

Comedy / Drama / Thriller

Film Review

Abstract picture representing The Big Steal (1949)
The Big Steal is a somewhat crude attempt to parody the film noir thriller, marred by script weaknesses that are just about compensated by its tongue-in-cheek performances and a well-photographed exotic location.   The film stars Robert Mitchum and Jane Greer, who had previously starred in an earlier film noir classic, Out of the Past (1947).

The film was directed by Don Siegel, who is perhaps best-known for his hardboiled thrillers Dirty Harry (1971) and The Killers (1964), as well as his classic sci-fi movie Invasion of the Body Snatchers (1956).   The Big Steal is not the most engaging or intellectually demanding of films, the plot largely consisting of protracted car chases across open Mexican countryside, the illusion of which is spoiled somewhat by many of the scenes being shot in the studio with poor-quality back-projection.

The performances and some witty dialogue just about make up for the ramshackle plot and weak characterisation, and The Big Steal, whilst clearly not the best film noir, has some merit.  Originally released in black and white, the film now also exists in a colorized version, which definitely should be avoided, as the colorization removes every scintilla of atmosphere of the original film.
© James Travers 2008
The above content is owned by filmsdefrance.com and must not be copied.
Next Don Siegel film:
Invasion of the Body Snatchers (1956)

Film Synopsis

Duke Halliday, a lieutenant in the United States army, finds himself in deep water when Jim Fiske robs him of a substantial payroll.  His superior, Captain Vincent Blake, naturally assumes that Halliday stole the money, so, to clear his name, the lieutenant has no choice other than to go after Fiske and recover the lost cash.  His journey takes him as far as Mexico, and on the way he meets up with the robber's former girlfriend, Joan Graham. 

Joan has her own reasons for wanting to get even with Fiske, so she agrees to team up with Halliday and help bring the crook to justice.  Meanwhile, Blake has set out in pursuit of Halliday, unaware that his quarry has stolen his identification.  Arriving at a remote house in the desert, Halliday and Joan are confident they have finally cornered Fiske, but they end up being captured by the latter's fence, Seton.  Help appears to be at hand when Blake appears unexpectedly, but things are not quite what they seem...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Don Siegel
  • Script: Daniel Mainwaring, Gerald Drayson Adams, Richard Wormser (story)
  • Cinematographer: Harry J. Wild
  • Music: Leigh Harline
  • Cast: Robert Mitchum (Lt. Duke Halliday), Jane Greer (Joan Graham), William Bendix (Capt. Vincent Blake), Patric Knowles (Jim Fiske), Ramon Novarro (Inspector General Ortega), Don Alvarado (Lt. Ruiz), John Qualen (Julius Seton), Pascual García Peña (Manuel), Gregorio Acosta (Chaney), Salvador Baguez (Morales), Henry Carr (Bellhop), Edward Colebrook (Mexican Tourist), Bing Conley (Dockhand), Don Dillaway (Purser), Alphonse Du Bois (Police Sergeant), Juan Duval (Vendor), Virginia Farmer (American Tourist), Nacho Galindo (Pastry Vendor), Eliso Gamboa (Vendor), Frank Hagney (Madden the Guard)
  • Country: USA
  • Language: English / Spanish
  • Support: Black and White
  • Runtime: 71 min

The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The silent era of French cinema
sb-img-13
Before the advent of sound France was a world leader in cinema. Find out more about this overlooked era.
French cinema during the Nazi Occupation
sb-img-10
Even in the dark days of the Occupation, French cinema continued to impress with its artistry and diversity.
Continental Films, quality cinema under the Nazi Occupation
sb-img-5
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
The best films of Ingmar Bergman
sb-img-16
The meaning of life, the trauma of existence and the nature of faith - welcome to the stark and enlightening world of the world's greatest filmmaker.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright