Mujeres al borde de un ataque de nervios (1988)
Directed by Pedro Almodóvar

Comedy / Drama / Thriller
aka: Women on the Verge of a Nervous Breakdown

Film Review

Abstract picture representing Mujeres al borde de un ataque de nervios (1988)
Perhaps one of the most striking aspects of Pedro Almodóvar's highly idiosyncratic style of cinema is its unwavering versatility.  There's an unpredictability and disregard for conventions which makes Almodóvar a very appealing director for mainstream audiences as well as more exigent film enthusiasts.   Of all his films to date, Women on the Verge of a Nervous Breakdown (a.k.a. Mujeres al borde de un ataque de nervios) is probably the one that is mostly likely to please the average cinemagoer.  It's an outlandish farce of the kind that Hollywood used to make so well in the '50s  and '60s, looking suspiciously like what Lubitsch and Hitchcock may have come up with if ever they had decided to make a film together.

The jokes are as fast, funny and relentless as a three-legged veloceraptor on rollerskates - the highlights being a terrifyingly mambo-styled taxi-driver and a TV ad in which the proud mother of a serial killer promotes a brand of washing powder.  Admittedly, some of the comedy goes a little over the top in a few places, but the occasional misfired gag is unlikely to spoil anyone's enjoyment of the film.  Under Almodóvar's rigorous direction, the acting performances are almost universally faultless, with special mention for his star pupils, Carmen Maura and Antonio Banderas, both virtually unrecognisable from their previous Almodóvar outing, Law of Desire (1987).

The humour is only part of the film's appeal.  As ever, Almodóvar shows great imagination and flair in the design of his film, and with cinematographer José Luis Alcaine he achieves a silkily seductive look which makes it virtually impossible for a spectator to tear his eyes away from the screen for even a millisecond.  In addition to some cheeky nods to Hitchcock (amongst others), there are some touches of real genius - such as the sequence where Carmen Maura's black-stockinged legs pacing back and forth take on the form of a mesmerising (and very erotic) kind of pendulum.

It's hardly surprising that Women on the Verge of a Nervous Breakdown is widely regarded as one of the most inspired European film comedies of the 1980s.  The film helped to earn Pedro Almodóvar his reputation as one of the most innovative and skilful filmmakers of his generation.  It may look slight when set aside some of his later achievements but, with its lightness of touch, hilarious comic situations and tastefully kitsch design, it remains arguably the most accessible and enjoyable of Almodóvar's film to date.
© James Travers 2008
The above content is owned by filmsdefrance.com and must not be copied.
Next Pedro Almodóvar film:
Kika (1993)

Film Synopsis

Pepa is an actress whose work consists mainly of TV ads and dubbing foreign films.  When her lover, Ivan, calls her to put an end to their relationship, she is distraught but soon realises that life must go on.  According to Lucia, Ivan's neurotically jealous former wife, Ivan has left her to start a new life with another woman.  Pepa soon has other worries when her best friend Candela reveals that she has been living with a notorious terrorist...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.

Similar Films

Here are some other films you may enjoy watching:

Other related links:

Film Credits

  • Director: Pedro Almodóvar
  • Script: Pedro Almodóvar
  • Cinematographer: José Luis Alcaine
  • Music: Bernardo Bonezzi
  • Cast: Carmen Maura (Pepa), Antonio Banderas (Carlos), Julieta Serrano (Lucía), María Barranco (Candela), Rossy de Palma (Marisa), Kiti Manver (Paulina Morales), Guillermo Montesinos (Taxista), Chus Lampreave (Portera Testiga de Jehová), Eduardo Calvo (Padre de Lucía), Loles León (Secretaria), Ángel de Andrés López (Policía I), Fernando Guillén (Iván), Juan Lombardero (Germán), José Antonio Navarro (Policía II), Ana Leza (Ana), Ambite (Ambite), Mary González (Madre Lucía), Lupe Barrado (Secretaria Paulina), Joaquín Climent (Policía I Spot), Chema Gil (Policía II Spot)
  • Country: Spain
  • Language: Spanish
  • Support: Color
  • Runtime: 90 min
  • Aka: Women on the Verge of a Nervous Breakdown

The very best sci-fi movies
sb-img-19
Science-fiction came into its own in B-movies of the 1950s, but it remains a respected and popular genre, bursting into the mainstream in the late 1970s.
The best of Russian cinema
sb-img-24
There's far more to Russian movies than the monumental works of Sergei Eisenstein - the wondrous films of Andrei Tarkovsky for one.
The very best fantasy films in French cinema
sb-img-30
Whilst the horror genre is under-represented in French cinema, there are still a fair number of weird and wonderful forays into the realms of fantasy.
The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
The very best of the French New Wave
sb-img-14
A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright