Seas Beneath (1931)
Directed by John Ford

Action / Drama / War

Film Review

Abstract picture representing Seas Beneath (1931)
Rarely seen and all too easily often overlooked, Seas Beneath is one of the few films from John Ford's early career at Fox Studios to have survived intact.  One of the first maritime war films, this ambitious production would influence later films in the genre and presages Ford's subsequent action films, particularly his westerns (My Darling Clementine, Rio Grande).  Whilst the film is dated - mainly by its painfully long static shots and some clunky editing - it is a compelling piece which clearly bears the hallmark of its director, notably Ford's respect for character and the use of stark images, rather than reams of dialogue, to express a point, such as the brutality of warfare.  In common with many of Ford's films of this period, the influence of German expressionism can be felt, particularly in the nocturnal location sequences.

George O'Brien is appropriately cast as the tough but likeable naval commander, bringing both realism and humanity to the film.  Marion Lessing is less impressive and soon becomes grating as her lack of acting talent is revealed.  The supporting roles are generally well-played, with a realism that is particularly appropriate for a serious war film of this kind.  (That said, Ford does occasionally take time out to slip in a bit of comedy, something that adds to the film's authenticity and charm.)

The languorous pace of the film is made up for by the exciting naval skirmish at the end of the film, which is classic Ford, a suitably dramatic conclusion in which the resourcefulness and courage of men working as a team prevail against ridiculous odds.  Whilst it may not be one of Ford's masterpieces, Seas Beneath offers a tantalising glimpse of the director's potential, potential which would be amply fulfilled over the next two decades of his long career.
© James Travers 2010
The above content is owned by filmsdefrance.com and must not be copied.
Next John Ford film:
The Informer (1935)

Film Synopsis

In the summer of 1918, U.S. Navy Commander Bob Kingsley is given a special assignment:  to pilot what appears to be an ordinary schooner into an area off the coast of Gibraltar that is patrolled by German U-boats.  The boat is not what it seems; it is equipped with a powerful gun that is intended to sink enemy submarines.  Whilst his crew enjoy a few hours' shore leave, Kingsley amuses himself with an attractive young woman named Anna-Marie, not realising that she is a German informant.   One of Kingsley's young officers, Ensign Cabot, also flirts with a local Spanish woman, but when she gets him drunk he reveals details about his mission.  Baron Ernst von Steuben, the commander of the German submarine U-172, soon realises that Kingsley's boat is an American naval vessel in disguise and gives the order for it to be destroyed...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: John Ford
  • Script: Dudley Nichols, William Collier Sr. (dialogue), Curt Furburg (dialogue), James Parker Jr. (story)
  • Cinematographer: Joseph H. August
  • Music: Peter Brunelli
  • Cast: George O'Brien (Cmdr. Robert 'Bob' Kingsley), Marion Lessing (Anna Marie Von Steuben), Mona Maris (Fraulein Lolita), Walter C. Kelly (Chief Mike 'Guns' Costello), Warren Hymer ('Lug' Kaufman), Steve Pendleton (Ens. Richard 'Dick' Cabot), Walter McGrail (Chief Joe Cobb), Larry Kent (Lt. 'Mac' McGregor), Henry Victor (Baron Ernst von Steuben (U-boat commander)), John Loder (Franz Shiller), Philip Ahlm (German Chief Petty Officer), Al Bennett (Naval Reservist), Earl Wayland Bowman (Naval Reservist), Bill Brande (Naval Reservist), William Collier Sr. (Mugs O'Flaherty), Leonard Davison (Naval Reservist), Joseph Depew (Naval Reservist), Francis Ford (Eric), Robert Ford (Naval Reservist), Hans Fuerberg (Fritz Kampf (Second Officer of U-172))
  • Country: USA
  • Language: English
  • Support: Black and White
  • Runtime: 90 min

The very best French thrillers
sb-img-12
It was American film noir and pulp fiction that kick-started the craze for thrillers in 1950s France and made it one of the most popular and enduring genres.
The best of American cinema
sb-img-26
Since the 1920s, Hollywood has dominated the film industry, but that doesn't mean American cinema is all bad - America has produced so many great films that you could never watch them all in one lifetime.
Kafka's tortuous trial of love
sb-img-0
Franz Kafka's letters to his fiancée Felice Bauer not only reveal a soul in torment; they also give us a harrowing self-portrait of a man appalled by his own existence.
The Carry On films, from the heyday of British film comedy
sb-img-17
Looking for a deeper insight into the most popular series of British film comedies? Visit our page and we'll give you one.
The best French Films of the 1910s
sb-img-2
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright