Film Review
Among the most memorable films from the British writer-director Edmund Goulding is this
compelling adaptation of a classic novel by Somerset Maugham, one of the most
successful English writers of the Twentieth Century. Made in the
immediate aftermath of World War II, the film offers a sober reflection on the meaning of life at a time when the unfairness
and seeming absurdity of human existence was all too apparent. In this respect,
it's quite a daring film for its time, eschewing the bright optimism that could more easily
be sold to cinema audiences for something darker and more introspective - although clearly
there were limits as to how far Goulding could depart from the template of the standard
Hollywood melodrama. Goulding's other noteworthy films include
Of Human Bondage
(1946), another meticulous adaptation of a Somerset Maugham novel, and the dark
film noir drama
Nightmare
Alley (1947).
The film is attractive as a work on its own right, staged and filmed with considerable
elan, and carried by some engaging performances - notably from Anne Baxter, who won an Oscar for her portrayal
of Sophie, and Clifton Webb, who relishes his part as the aristrocratic American Elliott
Templeton. As Somerset Maugham, Herbert Marshall is far less fearsome-looking
than the author (judge for yourself by seeing the writer 'in the flesh'
in his intro to
Quartet (1948)).
The film has much going for it but it falls short of the sophistication of Maugham's insightful, ingeniously
composed novel. It makes a great deal of the Isabelle-Larry-Sophie love triangle
and rather loses sight of the main thrust of the original novel, which is one man's spiritual
journey prompted by a sudden realisation of his own mortality.
Tyrone Power may be a great actor and his performance in this film is by no means bad, but he doesn't convey
the existentialist yearning that overwhelms Larry Darrell and forces him to turn his back
on wealth and the love of a good woman in order to seek out the answer to life's mysteries.
The film is less about Larry's quest for the Absolute and more about Isabel's increasingly
desperate attempts to triumph in an impossible love, and consequently misses the point
of Maugham's novel somewhat. That said, Goulding's is probably the most watchable
film adaptation of The Razor's Edge, mainly on the strength of its acting performances
(excuse the dodgy French accents), lavish production values and atmospheric cinematography.
© James Travers 2007
The above content is owned by filmsdefrance.com and must not be copied.
Next Edmund Goulding film:
Nightmare Alley (1947)
Film Synopsis
Whilst staying in Chicago, the writer William Somerset Maugham is invited to a party by his friend
Elliott Templeton. He is introduced to Elliot's niece, Isabel Bradley, who is in
love with Larry Darrell, a World War I veteran. As a result of his wartime experiences.
Larry decides not to marry Isabel and settle down straightaway, but instead to go travelling
in an attempt to understand what life is all about. After spending some time in
Europe, Larry goes to the Himalayas, where a wise man helps him on his path to Enlightenment.
On his return to Paris, Larry learns that Isabel has married a banker, Gray Maturin, and
has two children. However, Isabel is far from settled and is still hopelessly in
love with Larry...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.