The Razor's Edge (1946)
Directed by Edmund Goulding

Drama
aka: W. Somerset Maugham's The Razor's Edge

Film Review

Abstract picture representing The Razor's Edge (1946)
Among the most memorable films from the British writer-director Edmund Goulding is this compelling adaptation of a classic novel by Somerset Maugham, one of the most successful English writers of the Twentieth Century.  Made in the immediate aftermath of World War II, the film offers a sober reflection on the meaning of life at a time when the unfairness and seeming absurdity of human existence was all too apparent.  In this respect, it's quite a daring film for its time, eschewing the bright optimism that could more easily be sold to cinema audiences for something darker and more introspective - although clearly there were limits as to how far Goulding could depart from the template of the standard Hollywood melodrama. Goulding's other noteworthy films include Of Human Bondage (1946), another meticulous adaptation of a Somerset Maugham novel, and the dark film noir drama Nightmare Alley (1947).

The film is attractive as a work on its own right, staged and filmed with considerable elan, and carried by some engaging performances - notably from Anne Baxter, who won an Oscar for her portrayal of Sophie, and Clifton Webb, who relishes his part as the aristrocratic American Elliott Templeton.  As Somerset Maugham, Herbert Marshall is far less fearsome-looking than the author (judge for yourself by seeing the writer 'in the flesh' in his intro to Quartet (1948)). The film has much going for it but it falls short of the sophistication of Maugham's insightful, ingeniously composed novel.  It makes a great deal of the Isabelle-Larry-Sophie love triangle and rather loses sight of the main thrust of the original novel, which is one man's spiritual journey prompted by a sudden realisation of his own mortality.

Tyrone Power may be a great actor and his performance in this film is by no means bad, but he doesn't convey the existentialist yearning that overwhelms Larry Darrell and forces him to turn his back on wealth and the love of a good woman in order to seek out the answer to life's mysteries.  The film is less about Larry's quest for the Absolute and more about Isabel's increasingly desperate attempts to triumph in an impossible love, and consequently misses the point of Maugham's novel somewhat.  That said, Goulding's is probably the most watchable film adaptation of The Razor's Edge, mainly on the strength of its acting performances (excuse the dodgy French accents), lavish production values and atmospheric cinematography.
© James Travers 2007
The above content is owned by filmsdefrance.com and must not be copied.
Next Edmund Goulding film:
Nightmare Alley (1947)

Film Synopsis

Whilst staying in Chicago, the writer William Somerset Maugham is invited to a party by his friend Elliott Templeton.  He is introduced to Elliot's niece, Isabel Bradley, who is in love with Larry Darrell, a World War I veteran.  As a result of his wartime experiences. Larry decides not to marry Isabel and settle down straightaway, but instead to go travelling in an attempt to understand what life is all about.  After spending some time in Europe, Larry goes to the Himalayas, where a wise man helps him on his path to Enlightenment.  On his return to Paris, Larry learns that Isabel has married a banker, Gray Maturin, and has two children.  However, Isabel is far from settled and is still hopelessly in love with Larry...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Edmund Goulding
  • Script: Darryl F. Zanuck, Lamar Trotti, W. Somerset Maugham (novel)
  • Cinematographer: Arthur C. Miller
  • Music: Alfred Newman
  • Cast: Tyrone Power (Larry Darrell), Gene Tierney (Isabel Bradley), John Payne (Gray Maturin), Anne Baxter (Sophie MacDonald), Clifton Webb (Elliott Templeton), Herbert Marshall (W. Somerset Maugham), Lucile Watson (Louisa Bradley), Frank Latimore (Bob MacDonald), Elsa Lanchester (Miss Keith), Fritz Kortner (Kosti), John Wengraf (Joseph), Cecil Humphreys (Holy Man), Harry Pilcer (Specialty Dancer), Cobina Wright Sr. (Princess Novemali), Dorothy Abbott (Showgirl), George Adrian (Party Guest), Demetrius Alexis (Abbe), John Ardell (Banker), Frank Arnold (Miner), Richard Avonde (Escort at First Nightclub)
  • Country: USA
  • Language: English / French
  • Support: Black and White
  • Runtime: 145 min
  • Aka: W. Somerset Maugham's The Razor's Edge

The history of French cinema
sb-img-8
From its birth in 1895, cinema has been an essential part of French culture. Now it is one of the most dynamic, versatile and important of the arts in France.
The Carry On films, from the heyday of British film comedy
sb-img-17
Looking for a deeper insight into the most popular series of British film comedies? Visit our page and we'll give you one.
French cinema during the Nazi Occupation
sb-img-10
Even in the dark days of the Occupation, French cinema continued to impress with its artistry and diversity.
The silent era of French cinema
sb-img-13
Before the advent of sound France was a world leader in cinema. Find out more about this overlooked era.
The brighter side of Franz Kafka
sb-img-1
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright