Film Review
Anyone familiar with the life and work of the controversial writer
Françoise Sagan is unlikely to respond favourably to this
insipid portrait of her life, which consists of a series of dramatised,
and often overly sentimentalised, vignettes that add up to very
little. The passion, rebelliousness and lust for life which are so
apparent in Sagan's writing are singularly lacking in this film.
Sagan was originally conceived
and shot as a mini-series for French television, consisting of two
ninety minute episodes. When Luc Besson saw the film, he bought
the rights and gave it a theatrical cinema release a few months before
its TV screening, having cut its runtime down to two hours. And
therein lies the problem. This is the cinematic equivalent of an
opportunistic hand-me-down, and it feels like it.
The film was directed by Diane Kurys, one of France's most respected
female filmmakers, best known for her acclaimed 1983 film
Coup
de foudre.
Sagan
compares poorly with many of Kurys' previous films. The direction
is competent but lacks inspiration, the script is complacent and
mechanical, characters are poorly defined... Even having
the talented Sylvie Testud playing the part of Sagan cannot help rescue
the film. The whole thing just feels
so vacuous, painfully lacking in passion and charm. This must surely rate as one of the dullest biopics
ever to have been made in France. A wasted opportunity.
© James Travers 2008
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Next Diane Kurys film:
Pour une femme (2013)
Film Synopsis
In 1954, without her parents' knowledge, 18-year-old Françoise
Quoirez published a novel that was to earn her instant celebrity and a
revered place in French literature. That novel was
Bonjour Tristesse; its writer is
better known by her nom-de-plume, Françoise Sagan.
The immense success of this first novel allowed Quoirez to live the
life that she yearned for, one of freedom and excess, unhampered by
constraints of wealth or societal expectations. But as her
writing career flourished, her personal life would become increasingly
perilous, and the fulfilment she sought would become increasingly
elusive...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.