Ripoux contre ripoux (1990)
Directed by Claude Zidi

Comedy / Crime
aka: Le cop 2

Film Review

Abstract picture representing Ripoux contre ripoux (1990)
Dynamic duo Philippe Noiret and Thierry Lhermitte are reunited in this respectable sequel to the 1984 hit Les Ripoux.  Both films satirise perceived corruption in the French police service, with Noiret and Lhermitte playing a pair of lovable rogues, under the skilful direction of Claude Zidi.   This is a nice variation on the policier theme, where the good guys are cops gone bad (the word "ripoux" is slang for "rotten" in French), but not so bad as the real villains of the piece.

Noiret and Lhermitte are both respectable actors in their own right but together they excel, making a very effective team as René and François; René's half-hearted cynicism complement beautifully François' flawed idealism.  Both characters are well-drawn, fashioned on the morally ambiguous hero of classical film noir, although, here, the boundaries between good and bad are well and truly merged.  It is this ambiguity which provides the film with a fair amount of suspense and keeps its audience well and truly hooked.

The supporting cast is also quite impressive, with pleasing contributions from Guy Marchand, Jean-Pierre Castaldi, Michel Aumont and Jean-Claude Brialy.   As in the first Ripoux outing, the script is the film's best asset, with a well-paced narrative and some very funny one-liners making this an enjoyable and diverting piece of cinema.
© James Travers 2003
The above content is owned by filmsdefrance.com and must not be copied.
Next Claude Zidi film:
La Totale! (1991)

Film Synopsis

After five years of partnership with his fellow crooked policeman, René, François decides to go straight, in the hope of getting a promotion to the rank of commissioner.  Unfortunately, François' first attempt at changing his habits backfires, and he and René are suspended when a charge is brought against them.  They are replaced by Brisson and Portal, a pair of no-nonsense cops who, at first sight, appear to be the very model of honesty.  It soon turns out that these two are ten times more ruthless than René and François.  Desperate, the people they attempt to extort money from appeal to René and François to put an end to their replacements' reign of villainy.  François says he will take on the challenge, but René soon suspects that his former partner may actually be allying himself with his unscrupulous successors...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Claude Zidi
  • Script: Didier Kaminka, Simon Michaël (story), Claude Zidi (story)
  • Cinematographer: Jean-Jacques Tarbès
  • Music: Francis Lai
  • Cast: Philippe Noiret (René Boirond), Thierry Lhermitte (François Lesbuche), Guy Marchand (Guy Brisson), Jean-Pierre Castaldi (Jean-Pierre Portal), Grace De Capitani (Natacha), Line Renaud (Simone), Michel Aumont (Bloret), Jean-Claude Brialy (Le banquier), Jean Benguigui (Cesarini), Christian Bouillette (Le bijoutier), Roger Jendly (Albert Le Fourgue), Georges Montillier (Le marchand de fringues), René Morard (Fernand), Alain Mottet (Le préfet), Bernard Freyd (Guichard), Tadie Tuene (Le marabout), Patricia Karim (La bijoutière), Michel Crémadès (Le braqueur), Jacques Richard (Jean-Marie Laroche), Raymonde Badé-Mauffroy (L'employée de banque)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 107 min
  • Aka: Le cop 2 ; My New Partner II ; My New Partner at the Races ; My New Partner: Part II

The very best of Italian cinema
sb-img-23
Fellini, Visconti, Antonioni, De Sica, Pasolini... who can resist the intoxicating charm of Italian cinema?
Continental Films, quality cinema under the Nazi Occupation
sb-img-5
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
The very best French thrillers
sb-img-12
It was American film noir and pulp fiction that kick-started the craze for thrillers in 1950s France and made it one of the most popular and enduring genres.
The very best American film comedies
sb-img-18
American film comedy had its heyday in the 1920s and '30s, but it remains an important genre and has given American cinema some of its enduring classics.
The best French Films of the 1920s
sb-img-3
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright