Pars vite et reviens tard (2007)
Directed by Régis Wargnier

Crime / Drama / Thriller
aka: Have Mercy on Us All

Film Review

Abstract picture representing Pars vite et reviens tard (2007)
Fred Vargas' chilling vision of a modern city threatened by an outbreak of plague is brought home in this moody but slightly manhandled adaptation of her prize-winning 2001 novel Pars vite et reviens tard.   The intricate, labyrinthine plot is the best thing about this film, which is let down by some so-so acting and Régis Wargnier's clumsy mise-en-scène, which includes what is possibly the most inept use of slow-motion photography and montage in any film of recent years.  This is clearly not the same Régis Wargnier who wowed the critics with such films as Indochine (1992) and Est - Ouest (1999).

With its sustained aura of apocalyptic menace, Pars vite et reviens tard certainly had the potential to be a stunning thriller, but it feels like reheated leftovers, a bland imitation of someone else's work that lacks the idiosyncratic touch of Wargnier's previous films.  The film is well-cast but not all of the distinguished actors live up to their reputations.  José Garcia is surprisingly convincing as a no-nonsense cop who has to navigate personal and professional crises, not least of which is a colleague (Lucas Belvaux) who is convinced he has bubonic plague (the wimp).  Michel Serrault also shines in what would be his final screen appearance, making a welcome return to the darker, more ambiguous roles of his glory years.  The only other performance of note is from Nicolas Cazalé, who would subsequently find fame as the lead in Eric Guirado's  Le Fils de l'épicier (2005).   With so much talent on both sides of the camera, you have to wonder how this film could fail to be much more than borderline mediocre.
© James Travers 2010
The above content is owned by frenchfilms.org and must not be copied.
Next Régis Wargnier film:
La Ligne droite (2011)

Film Synopsis

Overwrought when his fiancée Camille walks out on him, police chief Jean-Baptiste Adamsberg finds himself confronted with a nightmare scenario that he is not well equipped to deal with.  It begins when a strange sign is found daubed on doors across Paris.  Then a dead body is found which is unlike any he has ever seen in his career - a corpse which appears to be disfigured by plague.   Is it possible that the Black Death of Medieval times now stalks the French capital?  If so, it seems to be highly selective in its choice of victim...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Régis Wargnier
  • Script: Ariane Fert, Harriet Marin, Julien Rappeneau, Lawrence Shore, Fred Vargas (novel), Régis Wargnier
  • Cinematographer: Laurent Dailland
  • Music: Patrick Doyle
  • Cast: José Garcia (Le commissaire Jean-Baptiste Adamsberg), Lucas Belvaux (Danglard), Marie Gillain (Marie), Olivier Gourmet (Joss Le Guern), Nicolas Cazalé (Damas), Linh Dan Pham (Camille), Michel Serrault (Hervé Decambrais), Nadine Alari (Clémentine), Sophie Aubry (Eva), Félicité N'Gijol (Lisbeth), Jean-Gilles Barbier (Favre), Philippe Bas (Maurel), Laëtitia Lacroix (Retancourt), Dominique Bettenfeld (Castillon), Stéphane Butet (Kernokian), Jean-Pierre Becker (Voisinet), Jean-Michel Noirey (Roubaud), Grégory Gadebois (Bordenave), Alain Fromager (Langlois), Mathias Mlekuz (Cazalas)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 116 min
  • Aka: Have Mercy on Us All ; Seeds of Death ; Sign of Death

The Golden Age of French cinema
sb-img-11
Discover the best French films of the 1930s, a decade of cinematic delights...
The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
The silent era of French cinema
sb-img-13
Before the advent of sound France was a world leader in cinema. Find out more about this overlooked era.
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The best French films of 2019
sb-img-28
Our round-up of the best French films released in 2019.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright