Indochine is a film with many strengths but unfortunately several weaknesses.
Its greatest asset is the location. The views of the Viet-Nam landscapes are genuinely
breathtaking and add a richness and epic quality to the film which it would otherwise
lack. Then there are some very fine acting performances, notably from Catherine
Deneuve and Vincent Peréz. Deneuve is particularly on form in this film,
demonstrating great versality and emotional range, perhaps more so than in any of her
other films.
However, on the minus side, the content is noticeably lacking and the plot does stretch
credulity to its limit in more than a few places. The conversion of Peréz's
character from a cold-hearted cynical French officer to a sympathetic character prepared
to give up everything for a local girl is unconvincing to say the least. Camille's
eagerness to abandon her child towards the end of the film is even more unbelievable and
little attempt is made to rationalise her behaviour.
It is never clear whether the film is pro- or ante- the French occupation of Indochine,
and it probably suffers as a result of that ambiguity. In fact it is the non-commital
nature of the film which is probably its biggest flaw. The viewer does not necessarily
have to agree with a stance the director or writer has taken, but a stance should have
been made more clearly, if only to add some substance to the motivation of the main characters.
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Next Régis Wargnier film: Est - Ouest (1999)
Film Synopsis
This is the story of Eliane who owns a rubber plantation in Indochine (now Viet-Nam) at
the time of the French colonisation of the country. Eliane adopts a native girl,
Camille, as her daughter. Eliane and Camille both fall in love with the same
French officer, Jean-Baptiste. When Camille shoots another French officer, Camille
and Jean-Baptiste flee into an uninhabited region of the country, where they are befriended
by communist rebels. In the end, Jean-Baptiste has to return to face a court-marshal
and Camille is separated from her child.
Script: Erik Orsenna,
Louis Gardel,
Régis Wargnier,
Alain Le Henry,
Catherine Cohen
Cinematographer: François Catonné
Music: Patrick Doyle
Cast:Catherine Deneuve (Eliane),
Vincent Perez (Jean-Baptiste),
Linh Dan Pham (Camille),
Jean Yanne (Guy),
Dominique Blanc (Yvette),
Henri Marteau (Emile),
Carlo Brandt (Castellani),
Gérard Lartigau (L'Admiral),
Hubert Saint-Macary (Raymond),
Andrzej Seweryn (Hebrard),
Mai Chau (Shen),
Alain Fromager (Dominique),
Chu Hung (Mari de Sao),
Jean-Baptiste Huynh (Étienne, adulte),
Thibault de Montalembert (Charles-Henri),
Eric Nguyen (Tanh),
Trinh Thinh (Minh),
Tien Tho (Xuy),
Thi Hoe Tranh Huu Trieu (Mme. Minh Tam),
Nguyen Lan Trung (Kim)
Country: France
Language: French / Vietnamese
Support: Color
Runtime: 148 min
French cinema during the Nazi Occupation
Even in the dark days of the Occupation, French cinema continued to impress with its artistry and diversity.
Franz Kafka's letters to his fiancée Felice Bauer not only reveal a soul in torment; they also give us a harrowing self-portrait of a man appalled by his own existence.
From Jean Renoir to François Truffaut, French cinema has no shortage of truly great filmmakers, each bringing a unique approach to the art of filmmaking.