Before the British film company Hammer hit the jackpot in the late
1950s with its series of low-budget Gothic horror offerings it ventured
somewhat haphazardly into just about every genre under the sun,
including film noir thrillers. Blackout
(a.k.a. Murder by Proxy) is
one of Hammer's less successful attempts at a film noir, a pedestrian
whodunit that is lazily dressed up as the palest imitation of a classic
American film noir, complete with a Bogart-like hero and sizzling femme
fatale. Hammer's regular director Terence Fisher does a
reasonable job of keeping the limp narrative on the rails, but the
increasingly hard-to-believe plot developments makes the credibility
gap harder to bridge as the film nears its unimaginably contrived
ending. Leads Dane Clark and Belinda Lee are both visibly wasted
on such low-grade B-movie trash as this, and you can't help wondering
where their careers might have gone if they had starred in a real film
noir, rather than lame, micro-budget pastiches such as this. Blackout's main strength is Walter
J. Harvey cinematography, particular the moody exteriors which offer an
almost grimly poetic view of London in the aftermath of WWII.
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Next Terence Fisher film: The Curse of Frankenstein (1957)
Film Synopsis
Casey Morrow is an American ex-serviceman who is trying,
unsuccessfully, to find work in London. Down to his last few
shillings, he gets himself blind drunk at an expensive nightclub and is
just about to pass out when an attractive young woman, Phyllis Brunner,
makes him an offer he is too insensible to comprehend. Before the
blackness swallows him up Casey imagines Phyllis offering him a huge
wad of cash if he will agree to marry her. The next morning,
Casey wakes up in a cramped studio apartment belonging to a woman he
has never seen before in his life. His host sends him on his way,
having taken the trouble to wash some bloodstains from his coat.
In the morning newspapers, Casey learns that Phyllis is a wealthy
heiress who has gone missing after her father was murdered.
Realising that he is the obvious murder suspect Casey decides that he
must play private detective, to solve the mystery and unmask the real
killer before he himself is arrested...
Cast: Dane Clark (Casey Morrow),
Belinda Lee (Phyllis Brunner), Betty Ann Davies (Mrs. Alicia Brunner),
Eleanor Summerfield (Margaret 'Maggie' Doone), Andrew Osborn (Lance Gordon),
Harold Lang (Travis), Jill Melford (Miss Nardis),
Alvys Maben (Lita Huntley),
Michael Golden (Inspector Johnson), Nora Gordon (Casey's Mother),
Alfie Bass (Ernie), Cleo Laine (Singer),
Delphi Lawrence (Linda),
Ann Gow
Country: UK
Language: English
Support: Black and White
Runtime: 87 min
Aka:Murder by Proxy
The very best of Italian cinema
Fellini, Visconti, Antonioni, De Sica, Pasolini... who can resist the intoxicating charm of Italian cinema?
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.