Film Review
Director Michael Gordon is best known for the light-hearted comedies
that he made in the latter half of his career, upbeat crowd-pleasers
such as the Rock Hudson-Doris Day vehicle
Pillow Talk (1959).
Before he suffered the indignity of the Hollywood blacklist in the
early 1950s for his alleged Communist leanings, Gordon was preoccupied
with a very different kind of film - gritty film noir dramas that were
distinguished as much by their complex plots as by their trenchant
realism.
The Web is one
of Gordon's more compelling films noirs, a taut, elegantly constructed
crime drama that features one of the kings of noir, Edmond O'Brien, up
against one of the coolest villains of the genre, a deliciously evil
Vincent Price.
The Web
may not be as stylishly shot and hard-edged as Gordon's other films of
this period but, thanks to its mesmeric performances and some
crackling dialogue, it is assuredly one of the genre's most enjoyable
offerings. If only the ending hadn't been marred by some unforgiveable
sleight of hand it might well have been Gordon's best film.
In common with all the finest films noirs, the plot is entirely
subservient to the ambiguous relationships between the main
protagonists.
The Web is
effectively a four-handed powerplay in which four strong-willed
characters each attempt to gain the upper hand over the others. William
Bendix, another habitué of classic film noir, has the force of
the law behind him, but (looking like Columbo's dimmer brother) he soon
proves to be the weakest and most ineffectual of the four
characters. Ella Raines' femme fatale clearly has spunk and
a mind of her own, but all too easily she falls under the control of
the dominant male. Beindix and Raines are a sideshow, the main
event being the understated conflict between the two leads, played to
perfection by Price and O'Brien.
In later years, Vincent Price would often come under fire for his
alleged scenery-chewing tendencies but in
The Web he is about as subtle as a
film actor can be, his oily, synthetic charm being the only clue to the
calculating evil that lies beneath his character's charming
persona. Evil is at its most chilling and effective when it is
shrouded in ambiguity and wears a smiling countenance - something that
Price was conscious of throughout his career and employed so
masterfully in his subsequent horror roles. Never for a moment
does the mask slip - it is as if Price's character is untainted by the
even the merest glimmer of moral awareness. As O'Brien and Raines
are drawn ever more deeply into the murderous web that Price has woven
with such ingenuity we find that it is the bad guy we end up rooting
for. Pure evil, as it is portrayed in this film by an
actor who understood it better than any other, has a spellbinding allure that no one can
resist.
© James Travers 2014
The above content is owned by filmsdefrance.com and must not be copied.
Film Synopsis
When small time lawyer Bob Regan harangues him for a petty claim
multi-millionaire businessman Andrew Colby is so impressed that he
immediately offers him a job, as his personal bodyguard. Colby
explains that one of his former associates, Leopold Kroner, has just
been released from prison after serving a stretch for embezzlement and
he fears being the victim of Kroner's revenge. Lured by the
promise of easy money and an opportunity to get to know Colby's
secretary Noel a bit better, Regan hastily accepts the assignment, but
soon regrets it. One evening, Regan hears a gunshot in Colby's
study and rushes to his employer's defence. Without a thought, he
shoots Colby's assailant dead and, sure enough, it turns out to be
Kroner. Although Regan is spared a homicide charge because he
apparently acted in self-defence his detective friend Damico is
suspicious and makes it clear that he believes Kroner's death was
cold-blooded murder. Returning to his apartment, Regan is
confronted by the dead man's daughter Martha who, convinced of his
guilt, has taken it on herself to execute him. The murder attempt
fails but Regan is persuaded by Martha that Colby stage-managed
Kroner's death because he posed a threat. Realising that he is
dealing with a very dangerous man, Regan ropes Noel into helping him
expose Andrew Colby as a calculating murderer...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.