The Web (1947)
Directed by Michael Gordon

Crime / Thriller / Drama

Film Review

Abstract picture representing The Web (1947)
Director Michael Gordon is best known for the light-hearted comedies that he made in the latter half of his career, upbeat crowd-pleasers such as the Rock Hudson-Doris Day vehicle Pillow Talk (1959).  Before he suffered the indignity of the Hollywood blacklist in the early 1950s for his alleged Communist leanings, Gordon was preoccupied with a very different kind of film - gritty film noir dramas that were distinguished as much by their complex plots as by their trenchant realism.  The Web is one of Gordon's more compelling films noirs, a taut, elegantly constructed crime drama that features one of the kings of noir, Edmond O'Brien, up against one of the coolest villains of the genre, a deliciously evil Vincent Price.  The Web may not be as stylishly shot and hard-edged as Gordon's other films of this period but, thanks to its mesmeric performances and some crackling dialogue, it is assuredly one of the genre's most enjoyable offerings. If only the ending hadn't been marred by some unforgiveable sleight of hand it might well have been Gordon's best film.

In common with all the finest films noirs, the plot is entirely subservient to the ambiguous relationships between the main protagonists. The Web is effectively a four-handed powerplay in which four strong-willed characters each attempt to gain the upper hand over the others. William Bendix, another habitué of classic film noir, has the force of the law behind him, but (looking like Columbo's dimmer brother) he soon proves to be the weakest and most ineffectual of the four characters.   Ella Raines' femme fatale clearly has spunk and a mind of her own, but all too easily she falls under the control of the dominant male.  Beindix and Raines are a sideshow, the main event being the understated conflict between the two leads, played to perfection by Price and O'Brien.

In later years, Vincent Price would often come under fire for his alleged scenery-chewing tendencies but in The Web he is about as subtle as a film actor can be, his oily, synthetic charm being the only clue to the calculating evil that lies beneath his character's charming persona.  Evil is at its most chilling and effective when it is shrouded in ambiguity and wears a smiling countenance - something that Price was conscious of throughout his career and employed so masterfully in his subsequent horror roles.  Never for a moment does the mask slip - it is as if Price's character is untainted by the even the merest glimmer of moral awareness.  As O'Brien and Raines are drawn ever more deeply into the murderous web that Price has woven with such ingenuity we find that it is the bad guy we end up rooting for.  Pure evil, as it is portrayed in this film by an actor who understood it better than any other, has a spellbinding allure that no one can resist.
© James Travers 2014
The above content is owned by filmsdefrance.com and must not be copied.

Film Synopsis

When small time lawyer Bob Regan harangues him for a petty claim multi-millionaire businessman Andrew Colby is so impressed that he immediately offers him a job, as his personal bodyguard.  Colby explains that one of his former associates, Leopold Kroner, has just been released from prison after serving a stretch for embezzlement and he fears being the victim of Kroner's revenge.   Lured by the promise of easy money and an opportunity to get to know Colby's secretary Noel a bit better, Regan hastily accepts the assignment, but soon regrets it.  One evening, Regan hears a gunshot in Colby's study and rushes to his employer's defence.  Without a thought, he shoots Colby's assailant dead and, sure enough, it turns out to be Kroner.  Although Regan is spared a homicide charge because he apparently acted in self-defence his detective friend Damico is suspicious and makes it clear that he believes Kroner's death was cold-blooded murder.  Returning to his apartment, Regan is confronted by the dead man's daughter Martha who, convinced of his guilt, has taken it on herself to execute him.  The murder attempt fails but Regan is persuaded by Martha that Colby stage-managed Kroner's death because he posed a threat.  Realising that he is dealing with a very dangerous man, Regan ropes Noel into helping him expose Andrew Colby as a calculating murderer...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Michael Gordon
  • Script: William Bowers, Bertram Millhauser, Harry Kurnitz (story)
  • Cinematographer: Irving Glassberg
  • Music: Hans J. Salter
  • Cast: Ella Raines (Noel Faraday), Edmond O'Brien (Bob Regan), William Bendix (Lt. Damico), Vincent Price (Andrew Colby), Maria Palmer (Martha Kroner), John Abbott (Charles Murdock), Fritz Leiber (Leopold Kroner), Howland Chamberlain (James Timothy Nolan), Tito Vuolo (Emilio Canepa), Wilton Graff (District Attorney), Robin Raymond (Newspaper Librarian), Fritz Leiber Jr. (Leopold Kroner), Bob Allen (Office Boy), Patricia Alphin (Secretary), Ed Begley (Man), Russ Conway (Mike - Fingerprint Man), Gino Corrado (Waiter), Alex Frazer (Medical Examiner), Jack Gargan (Ticket Man), William Haade (Plainclothesman)
  • Country: USA
  • Language: English
  • Support: Black and White
  • Runtime: 87 min

The best French films of 2018
sb-img-27
Our round-up of the best French films released in 2018.
The greatest French Films of all time
sb-img-4
With so many great films to choose from, it's nigh on impossible to compile a short-list of the best 15 French films of all time - but here's our feeble attempt to do just that.
The very best sci-fi movies
sb-img-19
Science-fiction came into its own in B-movies of the 1950s, but it remains a respected and popular genre, bursting into the mainstream in the late 1970s.
The very best period film dramas
sb-img-20
Is there any period of history that has not been vividly brought back to life by cinema? Historical movies offer the ultimate in escapism.
The best French Films of the 1920s
sb-img-3
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright