La Revanche (1981)
Directed by Pierre Lary

Comedy / Crime

Film Review

Abstract picture representing La Revanche (1981)
The wave of feminism that came crashing into popular culture in the early 1980s has much to answer for, and not least of its offences is a slew of idiotic French comedies such as La Ravanche.  Here's a film that presumably sounded good when sketched out on a sheet of toilet paper but ended up looking like a cross-between an accident in an Albanian joke factory and a misogynist's two-fingered salute to feminism.  The main offender is the plot, which has a hard job on the credibility front with its depiction of three supposedly intelligent modern women resorting to the most drastic of measures in the name of women's lib.

The characters could not be more unconvincing if they had an extra three arms, spoken fluent Welsh and were forced to spend the entire duration of the film jumping up and down on pogo sticks.  It takes the combined efforts of Annie Girardot, Victor Lanoux and Claude Rich to salvage this ramshackle comedy (directed with more enthusiasm than skill by Pierre Lary, former assistant to Luis Buñuel no less), but whilst there is some occasional fun to be had along the way, La Revanche is unlikely to rate highly in anyone's list of French comedies.  The fact that the storyline has been recycled at least a dozen times since (and rarely improved upon) doesn't help much.  Pro-feminist, anti-feminist or just plain silly...?  You decide.
© James Travers 2015
The above content is owned by filmsdefrance.com and must not be copied.

Film Synopsis

Jeanne Jouvert is far from pleased when her husband, a police commissioner, takes the credit when she wins a prize for her detective novels.  Anne Beaufort has even more reason to be angry with her spouse, when she learns that he is a gunrunner.   Determined to have their revenge against a cynical, male-oriented society, the two friends join up with another woman, Sylvie, to carry out a hold-up...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Pierre Lary
  • Script: Jacques Kirsner, Pierre Lary
  • Cinematographer: Jean Rozenbaum
  • Music: Claude Bolling
  • Cast: Annie Girardot (Jeanne Jouvert), Victor Lanoux (Alfred Jouvert), Claude Rich (Jacques Beaufort), Dominique Labourier (Anne Beaufort), Catherine Alric (Sylvie Noec), Philippe Avron (Alexandre Degueldre), Gérard Boucaron (Marcel), Jacqueline Chabridon (La journaliste), Didier Flamand (L'éditeur), Bruno Garcin (Inspecteur Morland), Greg Germain (Inspecteur Bastiani), Gérard Holtz (Le speaker TV), Raquel Iruzubieta (Bianca), Fabienne Mai (Suzanne), Jean-Pierre Sentier (Jo Storti), Nicholas Bang, Mika Barthel, Boudjema Bouhada, Patrick Chetrit, Alain Delafosse
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 98 min

The best French Films of the 1920s
sb-img-3
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
The very best French thrillers
sb-img-12
It was American film noir and pulp fiction that kick-started the craze for thrillers in 1950s France and made it one of the most popular and enduring genres.
The best of American cinema
sb-img-26
Since the 1920s, Hollywood has dominated the film industry, but that doesn't mean American cinema is all bad - America has produced so many great films that you could never watch them all in one lifetime.
The very best sci-fi movies
sb-img-19
Science-fiction came into its own in B-movies of the 1950s, but it remains a respected and popular genre, bursting into the mainstream in the late 1970s.
The best French films of 2019
sb-img-28
Our round-up of the best French films released in 2019.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright