Film Review
Love Story or
Mission Impossible?
Pour elle is one of those films
which at first look impressive until you start applying the plausibility test
(i.e. ask yourself: would any of this happen in the real world?), at which
point it falls down faster and more resoundingly than the walls of
Jericho. A truly incredible plot (which owes quite a lot to Kafka)
provides the flimsiest of pretexts for a prison break-out movie of the
American variety. It is a shame that the story is so far-fetched
because
Pour elle is, its
plot contrivances notwithstanding, quite a well-made thriller.
The film is directed with flair, vibrantly shot, slickly edited, and
energised by a strong central performance from Vincent
Lindon. For his debut feature, Fred Cavayé could
have done a lot worse. If only he had hired a decent
scriptwriter instead of taking on the job himself.
The film poses that age-old question: how far would you go to show
someone you loved them? Guillaume Canet addressed this
question (mercifully without reference to chocolate confectionary) in
his earlier, and far superior thriller,
Ne le dis à personne
(2006), and did so without venturing into a parallel universe in which
policemen knock down your front door at breakfast time and drag you off
to prison before you have finished your Coco Pops. If
Pour Elle tells us anything it is
that Fred Cavayé is either blissfully ignorant of criminal
procedure in modern day France or has been watching far too many
American crime series.
It is not only the film's plot that lacks credibility; the characters are
pretty unconvincing as well. Vincent Lindon at least makes an
attempt to bring some reality to his part, although you have to wonder
how desperate, stupid or obsessed a man must be to do what his
mule-headed character does in this film. The rest of the cast can't even be
bothered to act, so no wonder their characters resemble the walking
clichés that they are. Diane Kruger's character does
little to endear her to use with her self-pitying histrionics
and you can't help wishing that someone would put her out of her misery, Tarantino-style.
Mired in toe-curling pathos and absurd plot
contrivance,
Pour elle would
be a very hard sell if it were not for Cavayé's superb direction
and Lindon's solid performance. For some, however, even
this may not be enough to bridge the daunting credibility gap.
© James Travers 2010
The above content is owned by filmsdefrance.com and must not be copied.
Film Synopsis
Julien and Lisa are a married couple who have been leading a perfectly happy
life together for some years. They have a young son and couldn't be
more ordinary if they tried. But then, one day, their life becomes
very extraordinary. It begins when policemen coming knocking on their
door with an warrant for Lisa's arrest. It seems the young woman has
been charged with murder - a crime of which she is totally unaware.
Knowing his wife to be innocent, Julien can do nothing as she is arrested,
put on trial and sent to prison for twenty years. It is an injustice
that Julien cannot accept. The system has failed him, so it is up to
him, and him alone, to put things right.
There is no alternative but for Julien to help Lisa escape from prison.
To that end, he obtains two false passports and goes about selling the house
belonging to his mother-in-law, so that he can raise the cash he needs for
his daring operation. On discovering that his wife is about to be transferred
to a more secure prison, Julien has to bring his plans forward. In
a panic, he robs and kills one of his underworld contacts. Time is
fast running out, so the desperate husband has to move fast if he is to prevent
his wife from becoming the victim of a judicial process that has gone horribly
awry...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.