Film Review
For his sixth feature, director Stéphane Brizé teams up with
actor Vincent Lindon for the third time - following their successful
collaborations on
Mademoiselle Chambon (2009) and
Quelques heures de printemps (2012)
- to deliver a hard hitting social realist drama that offers a scathing
indictment of the way in which blue collar and low-skilled workers are
presently treated in France as the laws of the market become
increasingly stringent and unforgiving.
La Loi du marché (a.k.a.
The Measure of a Man) treads ground
recently covered by the Dardennes brothers in their film
Deux jours, une nuit (2014) and
sees Brizé adopting many of the Dardennes' familiar tropes as he
develops his own raw style of
cinéma
verité. Lindon is the only professional actor in a
cast of non-professionals and instead of being constructed as a
straightforward drama, the film consists of disconnected long scenes
with the camera focused on the central character as he is subjected to
one humiliation after another.
Barely recognisable, Lindon completely immerses himself in the role of
the fifty-year old who finds himself on the proverbial scrapheap after
being unceremoniously dumped by his merciless employers. Losing
his job is just the first of many indignities that come Thierry's way,
the result of corporate greed that sees his bosses relocate their
operations to a place where labour is cheaper and employment laws less
onerous. Then comes the long and arduous process of finding a
replacement job, which for a man well into middle-age is nigh on
impossible. Job interviews, meetings with his bank manager, even
an attempt to improve his interview technique all end in humiliation,
and you can feel the rage building within the main character as he
struggles to hold on to his dignity in a world that offers him precious
little hope and even less in the way of respect. The only thing
that matters in this dog-eat-dog world is hard cash, and the film's
main moral theme is how low Thierry is prepared to stoop to put this
token of human greed into his pocket.
Thankfully, Brizé doesn't dwell entirely on the negative and
reminds us that there are some things in life that haven't yet been
totally decimated by the law of the market. The brutality that Thierry
encounters in his quest for work is effectively counterpointed by the
tenderness of his home life, and the love he shares with his wife and
disabled son prevents him from being a tragic figure. It is
Thierry's concern for his family's well-being that compels him to
accept a job that is beneath his dignity and ultimately leads him to a
terrible crisis of conscience when he finds he has to betray his
colleagues to his efficiency-obsessed employers. Whilst the
film's tone is a tad didactic at times, Lindon's dedicated performance
(one of his best to date) gives it a gut-wrenching authenticity that
brings home the terrible human cost of the relentless drive for profit
that seems now to be governing our lives to the exclusion of all
else.
La Loi du marché is
a modest film that confines itself to depressingly familiar territory,
but whilst it hardly breaks new ground it has a simplicity and humanity
that make it a powerfully moving experience.
© James Travers 2015
The above content is owned by filmsdefrance.com and must not be copied.
Next Stéphane Brizé film:
Une vie (2016)
Film Synopsis
After being made redundant at the age of fifty, factory worker Thierry
has a hard time finding another job. After almost two years of
fruitless job hunting, during which time he can barely support himself
and his family on the benefits he receives, he finally finds work as a
security guard in a supermarket. Not only is he expected to watch
out for shoplifters and ensure they are properly dealt with, he must
also spy on his colleagues. Thierry soon finds himself torn
between his desperate need for paid work and his personal sense of
justice...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.