L'Hôtel du libre échange (1934)
Directed by Marc Allégret

Comedy

Film Review

Abstract picture representing L'Hotel du libre echange (1934)
Georges Feydeau's classic stage farce L'Hôtel du libre échange, first performed in 1894 to great acclaim, is given a suitably boisterous screen adaptation by director Marc Allégret in this lively 1930s comedy.  The play was skilfully adapted by Jacques Prévert (assisted by his brother Pierre), just a few years before he began his legendary partnership with director Marcel Carné, and is brought to life by a magnificent ensemble which includes such distinguished performers as Fernandel, Saturnin Fabre, Pierre Larquey and Ginette Leclerc.  Even faster moving than most American screwball comedies of the time, this riot of mirth is exhausting to watch but there is much pleasure to be had in its sheer lunacy.

Feydeau's play works far better on stage than it does on screen, but Allégret and his cast do a fairly respectable job of sustaining the momentum of what is most probably the most energetic of farces.  Today, the film looks somewhat dated and the endless round of misunderstandings, door slammings and frantic racing up and down in corridors (quintessential Feydeau) eventually becomes repetitive and tiring.  In a cast stuffed with Grade A eccentrics (if not to say borderline lunatics), Pierre Larquey stands out as the funniest of them all, although a weirdly O.T.T. Saturnin Fabre (forever cloaked in an entourage of affectionate nymphs) gives him a good run for his money.  The film was a major success when it was first released but now it is somewhat overlooked, one of the lesser entries in Marc Allégret's remarkably varied filmography.
© James Travers 2013
The above content is owned by filmsdefrance.com and must not be copied.
Next Marc Allégret film:
Lac aux dames (1934)

Film Synopsis

Having fallen out of love with his wife, Pinglet, a successful architect, embarks on an affair with Madame Paillardin, the wife of his associate and next-door neighbour.  The two arrange to meet up at the Hôtel du libre échange, unaware that Monsieur Paillardin is on the premises investigating some mysterious noises.  To complicate matters, the Pinglets' maid and Paillardin's nephew have chosen the same rendezvous.  When Mathieu, a friend from the provinces, drops in on the Pinglets with his four daughters, he is sent away and ends up boarding at the very same hotel, taking a room which is reputed to be haunted...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Marc Allégret
  • Script: Marc Allégret, Jacques Prévert, Pierre Prévert, Maurice Desvallières (play), Georges Feydeau (play)
  • Cinematographer: Roger Hubert
  • Cast: André Alerme (Paillardin), Ariane Borg (Paquerette), Jacques B. Brunius (Le monsieur du train), Raymond Bussières (Bob), Raymond Cordy (Bastien), Marion Delbo (Angélique Pinglet), Marcel Duhamel (M. Chervet), Simone Dulac (La dame du train), Saturnin Fabre (Mathieu), Fernandel (Boulot), Raymond Galle (Maxime), Anthony Gildès (L'employé du commissariat), Serge Grave (Maxime), Claire Gérard (La bonne), Pierre Larquey (Pinglet), Géo Lastry (Le client bien), Ginette Leclerc (Victoire), Mona Lys (Marcelle Paillardin), Palau (Boucard, le commissaire), Lou Bonin
  • Country: France
  • Language: French
  • Support: Black and White
  • Runtime: 95 min

The best French Films of the 1920s
sb-img-3
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
The Carry On films, from the heyday of British film comedy
sb-img-17
Looking for a deeper insight into the most popular series of British film comedies? Visit our page and we'll give you one.
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The Golden Age of French cinema
sb-img-11
Discover the best French films of the 1930s, a decade of cinematic delights...
The very best American film comedies
sb-img-18
American film comedy had its heyday in the 1920s and '30s, but it remains an important genre and has given American cinema some of its enduring classics.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright