Si ça peut vous faire plaisir (1948) Directed by Jacques Daniel-Norman
Comedy
Film Review
With its familiar Provençal setting, Si ça peut vous faire plaisir
(a.k.a. L'Aventure de Gonfaron)
feels like a throwback to Marcel Pagnol's early films of 1930s but it
was in fact directed by Jacques Daniel-Norman, a far less distinguished
breed of filmmaker. In a career spanning a decade and a half,
Daniel-Norman directed several popular crime films and comedies, his
best known being L'Aventure est au coin de la rue
(1944). Here, he has the honour of directing Fernandel when the
comic actor was at the height of his popularity, although neither the
director nor his lead actor is particularly well-served by a script
that lacks originality and flair. The plot seems to be re-heated
leftovers and most of the gags are predictable, although this doesn't
stop the ever-enthusiastic Fernandel from giving the film his best
shot. Si ça peut vous
faire plaisir is by no means the most distinguished film in his
career, but competently directed and ably performed by a likeable cast
(Mona Dol and Antonin Berval almost outshine the lead actor), it makes
for a more than adequate time waster.
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Film Synopsis
In the shop where they sell funeral wreaths, Monsieur Viala and his
wife are celebrating their silver wedding anniversary. Noticing a
young woman at the window, Viala hastily invites his entourage to go
off and play a game of bowls so that he can exchange a few furtive
words with his uninvited guest. Viala's friend Martial Gonfaron is
not so easily deceived and guesses correctly that the visitor, Ginette,
is one of Viala's lady friends. Viala wonders what he is to do
when he learns that Ginette and he have bought a winning lottery
ticket. He decides to tell the world that it was Martial, not
Ginette, who shared the cost of the ticket and is therefore entitled to
half of the winnings. How could such a brilliant scheme go so
horribly wrong...?
Continental Films, quality cinema under the Nazi Occupation
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.