Je suis timide... mais je me soigne (1978)
Directed by Pierre Richard

Comedy

Film Review

Abstract picture representing Je suis timide... mais je me soigne (1978)
With Je suis timide mais je me soigne, Pierre Richard had his first significant commercial hit as a film director, after helming three moderately entertaining comedies, beginning with Le Distrait (1970).  Richard's fourth and arguably best directorial offering resembles an early Woody Allen comedy, in which the frizzy haired comic genius passes himself off as a likeable goon who is totally out of his depth in matters concerning the opposite sex.

Richard's unfaltering penchant for creating amiable disasters-on-legs is what made him one of the most popular French comedians of his day, drawing massive audiences in films such as Le Grand Blond avec une chaussure noire (1972) and La Moutarde me monte au nez (1974).  Je suis timide mais je me soigne was no mean success - it attracted an impressive audience of 2.5 million, but that doesn't mean it is a classic.

Engaging though the film is, it  is somewhat let down by an inadequate premise and a rambling script that is short on laugh-out-loud gags.  On the plus side, Richard forms a reasonably effective double act with his co-star Aldo Maccione, which the duo would repeat on Richard's next directorial excursion, Je sais rien, mais je dirai tout (1973).  The film's most memorable scene is the one in which its star sets out to buy some underpants, doing so as if he were prosecuting a military campaign.
© James Travers 2007
The above content is owned by frenchfilms.org and must not be copied.
Next Pierre Richard film:
C'est pas moi, c'est lui (1980)

Film Synopsis

Ever since he was a boy, Pierre Renaud has been afflicted with a chronic shyness that prevents him from establishing any kind of relationship with a member of the opposite sex.  Now, a humble cashier at a luxury hotel in Vichy, he still hasn't overcome his terrible affliction, in spite of the numerous therapies he has subjected himself to over the years.  Even when someone as ravishingly beautiful as Agnès Jensen walks through the hotel doors Pierre is unable to strike up a conversation and let her know what he feels for her.  When the young woman departs for her next venue on the French Riviera, Pierre feels impelled to follow her.  He finds work as a diver at the hotel in Nice she is now staying at, and then runs into his old therapist - a salesman named Aldo Ferrari - whose advice so far has had less than positive results.  Not one to give up on a patient, Aldo sells his car and passes himself off as a playboy so that he can get close to Agnès and try to nudge her in Pierre's direction.  It is a ruse that cannot possibly fail...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Pierre Richard
  • Script: Pierre Richard, Jean-Jacques Annaud, Alain Godard
  • Cinematographer: Claude Agostini
  • Music: Vladimir Cosma
  • Cast: Pierre Richard (Pierre Renaud), Aldo Maccione (Aldo Ferrari), Jacques François (Mr. Henri), Mimi Coutelier (Agnès Jensen), Catherine Lachens (La camionneuse), Robert Dalban (Le casseur de voitures), Jean-Claude Massoulier (Gilles, le speaker), Jacques Fabbri (Le routier), Robert Castel (Trinita), Sylvie Folgoas (Bilda), Jean-Louis Le Goff (Albert), Hélène Manesse (Irène), Louis Navarre (Le chef de rayon)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 88 min

The best films of Ingmar Bergman
sb-img-16
The meaning of life, the trauma of existence and the nature of faith - welcome to the stark and enlightening world of the world's greatest filmmaker.
The best French films of 2019
sb-img-28
Our round-up of the best French films released in 2019.
The best of British film comedies
sb-img-15
British cinema excels in comedy, from the genius of Will Hay to the camp lunacy of the Carry Ons.
The greatest French film directors
sb-img-29
From Jean Renoir to François Truffaut, French cinema has no shortage of truly great filmmakers, each bringing a unique approach to the art of filmmaking.
The best of American cinema
sb-img-26
Since the 1920s, Hollywood has dominated the film industry, but that doesn't mean American cinema is all bad - America has produced so many great films that you could never watch them all in one lifetime.
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright