Film Review
Pierre Richard doesn't quite live up to his reputation as a master of mirth
in this lacklustre comedy, which he directed, co-scripted and starred in.
Richard had already helmed four feature-length films, including the
eminently watchable
Le Distrait (1970) and
Les Malheurs d'Alfred (1972).
But by the time he came to make
C'est pas moi, c'est lui, Richard's
popularity was on the wane and within a few years his ability to draw
massive audiences had all but deserted him. The film faired
reasonably well at the box office, attracting 2.2 spectators,
but this is modest compared with the 7.1 million achieved by
La Chèvre (1981),
in which Richard played second fiddle to a new star, Gérard Depardieu.
An inconsequential plot proves to be no more than a lame pretext for a series of comic situations, some
of which work very well, others of which fail spectacularly. The lack of imagination
in the script is not reflected in Pierre Richard's performance which, as ever, is
unceasingly entertaining. The actor is however let down by a weak supporting cast,
whose wooden contributions drag the film down to the level of a bargain basement farce. Whilst
there are one or two moments of hilarity (the best being the thieving camel sequence), overall it
just fails to satisfy.
© James Travers 2004
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Next Pierre Richard film:
Le Distrait (1970)
Film Synopsis
Georges Vallier owes his success as a celebrity screenwriter to his underpaid ghost writer
Pierre Renard. When Pierre protests at the way he has been exploited, Valier allows
him to take his place at a garden party hosted by the Italian film star Aldo Barazzutti.
The latter invites Pierre to accompany him to Tunisia where they will work together on
their next script. Thinking this is just the opportunity he needs to make his career,
Pierre accepts, having no idea of what adventures lie in store…
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.