Faites comme si je n'étais pas là (2000)
Directed by Olivier Jahan

Drama
aka: Pretend I'm Not Here

Film Review

Abstract picture representing Faites comme si je n'etais pas la (2000)
With a few notable short films under his belt, director Olivier Jahan chose the subject of adolescent introversion for this, his first full-length film - a kind of "400 coups" for the year 2000.  Faites comme si je n'étais pas là is a dark, contemplative work which offers a harrowingly credible portrait of a reclusive and confused teenager traversing the gulf between childhood and adulthood.  Increasingly isolated and unable to make any physical contact with a world that constantly rejects him, that teenager is propelled towards a perverse voyeuristic existence which further alienates him from those around him.  Jahan's inexperience as a film-maker shows up in the film's uneven pacing and lack of cohesion, but such faults are compensated for by the film's originality and relevance to contemporary society.

The film's central character, Eric, is played by Jérémie Rénier, a talented young Belgian actor who has already earned critical acclaim for his sensitive portrayals of vulnerable adolescents in a number of high profile French-language films (notably the Dardenne brothers' 1996 social realist drama La Promesse).   Rénier's restrained, moody performance lends the film its sombre tone, its tension and its haunting realism.  Whilst his character comes across as troubling and unpredictable - perhaps a psychopath in embryo form - his angelic good looks make him appear more of a victim than a villain, the product of an increasingly fragmented and diseased society.  The film's ending is coyly optimistic but it is also strangely ambiguous.  One interpretation is that Eric's first experience of love has at last released him from his solitude, so that he can now go on to live a normal, fulfilled life within the very society from which he previously felt excluded.  It is equally plausible that the same experience merely confirms in his mind the fact that he will always remain an outsider - a miserable loner who will either accept his fate or else react against it, with chillingly destructive consequences.
© James Travers 2003
The above content is owned by filmsdefrance.com and must not be copied.
Next Olivier Jahan film:
Les Châteaux de sable (2015)

Film Synopsis

High school student Eric lives with his mother, Hélène, and stepfather, René, on a housing estate for low-income families.  Friendless and unable to communicate with his parents, Eric withdraws into a life of voyeuristic obsession.  He spies on his neighbours with a pair of binoculars, makes detailed notes of what he sees and then includes his observations in a series of poisonous pen letters.  As his situation at home worsens, he becomes increasingly fascinated by a black couple who live opposite him, or, more precisely, by their passionate love making activities...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Olivier Jahan
  • Script: Olivier Jahan, Michel C. Pouzol
  • Cinematographer: Gilles Porte
  • Music: Cyril Moisson
  • Cast: Jérémie Renier (Eric), Aurore Clément (Hélène), Johan Leysen (René), Sami Bouajila (Tom), Alexia Stresi (Fabienne), Nathalie Richard (Carole), Pierre Berriau (Simon), Emma de Caunes (Marie), Ouassini Embarek (Karim), Florence Masure (Miss Chanvert), Bouli Lanners (The doctor), Michel Dubois (Corson), Catherine Davenier (Christelle Corson), Léo Aguilar (Loïc), Cédric Chevalme (Marek), Marie Donnio (The blonde), Raphaël Krepser (The biker), Martine Vandeville (A neighbor)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 101 min
  • Aka: Pretend I'm Not Here

The Carry On films, from the heyday of British film comedy
sb-img-17
Looking for a deeper insight into the most popular series of British film comedies? Visit our page and we'll give you one.
The silent era of French cinema
sb-img-13
Before the advent of sound France was a world leader in cinema. Find out more about this overlooked era.
French cinema during the Nazi Occupation
sb-img-10
Even in the dark days of the Occupation, French cinema continued to impress with its artistry and diversity.
The very best American film comedies
sb-img-18
American film comedy had its heyday in the 1920s and '30s, but it remains an important genre and has given American cinema some of its enduring classics.
The best of British film comedies
sb-img-15
British cinema excels in comedy, from the genius of Will Hay to the camp lunacy of the Carry Ons.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright