La Promesse (1996) Directed by Jean-Pierre Dardenne, Luc Dardenne
Drama
Film Review
With La Promesse, the Belgian directors Jean-Pierre and Luc Dardenne paint a harrowing
picture of teenage rebellion in the grimmest of situations. With its naturalistic
acting, rough editing and unsteady camera movements, the film has a documentary feel which,
whilst disorientating at first, heightens the drama and conveys a shocking sense of realism.
The film's uncompromising presentation of the ill-treatment of illegal immigrants is unequivocally
stomach-turning, drawing our attention to one the biggest social issues of our time.
Although the film has some obvious flaws (some of the acting looks false and stilted in
places, and the film's low-key ending lacks any real sense of resolution), it is for the
most part a captivating drama, with some genuinely poignant moments. Jérémie
Rénier's credible performance as the teenager Igor is particularly noteworthy,
providing a likeable figure the audience has no trouble identifying with.
By contrast, Olivier Gourmet's Roger is truly loathsome creature, a vile slob whose humiliation
near the end of the film is a pleasure to witness.
The above content is owned by filmsdefrance.com and must not be copied.
Next Jean-Pierre Dardenne film: Rosetta (1999)
Film Synopsis
In the dismal suburbs of a Belgian town, Roger makes a sordid living by smuggling
illegal immigrants into the country from Africa and then forcing them to
work for a pittance on his construction projects. Roger's 15-year-old son
Igor sees nothing wrong in what his father is doing and willingly gives up
his apprenticeship to assist him in his immoral trade. One day, one
of Roger's imported slaves, a man named Amidou, falls from a scaffold and
extorts a promise from Igor to take care of his wife and baby before he loses
consciousness. Even though Amidou isn't yet dead, Roger cannot take
the risk of him being found by the authorities and so he has him secretly
buried, with Igor's help. He then plans to have Amidou's wife shipped
back to Germany before she can cause any further trouble by making enquiries
into her husband's disappearance. Remembering the promise he made to
the injured man, Igor finds he has no choice but to turn against his father
and do what he can to help the unfortunate woman and her child...
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
With so many great films to choose from, it's nigh on impossible to compile a short-list of the best 15 French films of all time - but here's our feeble attempt to do just that.