Biography: life and films
Gérard Philipe was an actor blessed
with a rare combination of talent, good looks and humanity which earned him the respect
and admiration of French people of all classes and generations. Despite the brevity
of his acting career, he occupies an important place in French culture, still regarded
with great affection by many, and his egalitarian principles and passion for drama live
on in the institutions (schools, colleges and theatres) which bear his name.
He was born Gérard Philip in Cannes,
into a comfortable bourgeois family, on 4 December 1922. His father, Marcel, a successful
businessman, was involved with extreme right-wing politics and collaborated with the Nazis
during the Second World War. To escape a death sentence after the war, Marcel Philip
was forced to flee into exile in Spain. His son's politics would head in the opposite
direction, as the young actor embraced the socialist ideal.
After a promising school education, Gérard
decided to become an actor and, encouraged by Marc Allégret, he studied drama in
Nice. He made his debut at Cannes in André Roussin's play
Une grande fille
toute simple in July 1942. At this time, he added an 'e' to his surname, taking
his full name up to 13 letters, something which superstitious folk are quick to link to
the actor's tragic future.
Gérard Philipe made his film debut in
1943 with Yves Allégret's
La boîte aux rêves and Marc Allégret's
Les petites du quai aux fleurs. With the support of his admirer Jean Cocteau,
he entered the Paris Conservatory where, under the tutelage de Georges Le Roy he discovered
his passion for live theatre.
In Paris, Gérard Philipe won critical
acclaim for his role in a Paris production of Albert Camus' play
Caligula, for
which he was likened to the celebrated established actor Louis Barrault. He returned
to cinema in 1946 with Georges Lampin's
L'Idiot (1946)
and Claude Autant-Lara's controversial
film
Le Diable au corps (1947).
Philipe, aged just 24, became almost overnight
an emblem of post-war romantic heroism, the first in a new generation of French matinée
idols.
Other lead roles followed, in films such as
La Chartreuse de Parme (1948),
Une si jolie petite plage (1949)
and
La Beauté du diable (1950).
He simultaneously pursued his stage career, with a keen involvement
in the Théatre National de Paris, which would endure up until his death. (Whilst
working at the TNP, Philipe, a strong believer in egalitarianism, would draw exactly the
same salary as junior actors.) He would also become president of the French actors
union, actively promoting the rights of actors.
By the early 1950s, Philipe had become one
of the most popular actors of his generation, adulated for his captivating performances
in films such as
Fanfan la Tulipe (1952),
Le Rouge et le noir (1954)
and
Les Orgueilleux (1953).
Shortly after completing work on Roger Vadim's film
Les Liaisons dangereuses in 1958,
Philipe was diagnosed as having cancer of the liver. Although his health
was declining, he worked on one final film, Luis Buñuel's
La Fièvre monte à El Pao (1959).
Soon after, on 25 November 1959, Gérard Philipe died
from his cancer illness in Paris, at the age of 36, provoking an immediate and intense
out-pouring of grief in France. He now lies beneath a simple grave in a small cemetery
at Ramatuelle, in his beloved Provence.
© James Travers 2001
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