Battle of Britain (1969)
Directed by Guy Hamilton

Action / Drama / History / War
aka: The Battle of Britain

Film Review

Abstract picture representing Battle of Britain (1969)
With its star-studded cast and a budget of 12 million dollars, this epic account of one of the most important chapters in British military history deserves to be a great film and a fitting tribute to those few who did so much for their country with so little (or words to that effect).   And indeed Battle of Britain has some impressive moments - the action sequences are spectacular even by the standards of a blockbuster production - but the film falls short of its potential.  With so much going on and such a big story to tell in such a limited space, there is little space for character development, so it isn't surprising that most of the protagonists in this monumental drama are little more than crude ciphers whilst some (notably the Germans) are blatant caricatures (including an Adolf Hitler who looks like he was left over from a bad Monty Python sketch).

The film would have been a challenge for any director and Guy Hamilton makes a reasonable stab at it, although he is not as successful here as he was with his previous wartime drama, The Colditz Story (1955).  It is the scale of undertaking that clearly overwhelmed Hamilton.  He had already demonstrated, in his work on Goldfinger (1964), the most highly rated of the James Bond movies, a flair for action-adventure and it is the action sequences in Battle of Britain where he is most inspired.  Elsewhere, the director has difficulty getting the best out of his battalion of iconic screen actors and only just manages to put together a coherent narrative.

What saves Battle of Britain and makes it a classic of its genre are the authentic recreations of the air battles, which were shot with the last surviving Spitfires, piloted by veteran flyers.   Not only are these sequences utterly gripping, providing an unflinching portrait of aerial combat, but they are also beautifully composed - there is a balletic poetry about them, which is heightened by a piece of music that Sir William Walton composed especially for the film.

The German attack on London is also stunningly realised and provides the film with some of its most poignant and harrowing scenes.  These startling images serve as an effective reminder of how spectacularly close to defeat Britain came during WWII and how the courage and initiative of a few brave souls managed to repel an over-confident invader and, in doing so, change the course of the war.  If this film helps to preserve the memory of this event, it will have done its job.
© James Travers 2009
The above content is owned by frenchfilms.org and must not be copied.
Next Guy Hamilton film:
Diamonds Are Forever (1971)

Film Synopsis

In the spring of 1940, British fighter pilots are waging a losing battle against the Nazis in continental Europe.  Seeing that the fall of France to Germany is inevitable, Air Chief Marshal Dowding advises the British Prime Minister Winston Churchill to withdraw all RAF fighters and prepare for a German attack on mainland Britain.  When the British reject a barbed peace offering from the Germans, it is not long before the Luftwaffe are pounding the southeast of England with a series of aerial bombardments intended to obliterate the country's air defences ahead of a full-scale invasion.  The British reaction is swift, but light air strikes on Berlin merely provoke the Nazis into changing their strategy and launching an all-out attack on London.  This proves to be a costly error.  The German military may have accurately assessed the strength of the British air force, but they have severely underestimated the resourcefulness and resilience of their opponents...
© James Travers
The above content is owned by frenchfilms.org and must not be copied.


Film Credits

  • Director: Guy Hamilton
  • Script: James Kennaway, Wilfred Greatorex, Derek Dempster (book), Derek Wood (book)
  • Cinematographer: Freddie Young
  • Music: Ron Goodwin
  • Cast: Harry Andrews (Senior Civil Servant), Michael Caine (Squadron Leader Canfield), Trevor Howard (Air Vice Marshal Keith Park), Curd Jürgens (Baron von Richter), Ian McShane (Sgt. Pilot Andy), Kenneth More (Group Capt. Baker), Laurence Olivier (Air Chief Marshal Sir Hugh Dowding), Nigel Patrick (Group Capt. Hope), Christopher Plummer (Squadron Leader Colin Harvey), Michael Redgrave (Air Vice Marshal Evill), Ralph Richardson (Sir David Kelly), Robert Shaw (Squadron Leader Skipper), Patrick Wymark (Air Vice Marshal Trafford Leigh-Mallory), Susannah York (Section Officer Maggie Harvey), Michael Bates (Warrant Officer Warwick), Robert Flemyng (Wing Cmdr. Willoughby), Isla Blair (Mrs. Andy), Barry Foster (Squadron Leader Edwards), John Baskcomb (Farmer), Edward Fox (Pilot Officer Archie)
  • Country: UK
  • Language: English / German / Polish / French
  • Support: Color
  • Runtime: 133 min
  • Aka: The Battle of Britain

The brighter side of Franz Kafka
sb-img-1
In his letters to his friends and family, Franz Kafka gives us a rich self-portrait that is surprisingly upbeat, nor the angst-ridden soul we might expect.
The best of American cinema
sb-img-26
Since the 1920s, Hollywood has dominated the film industry, but that doesn't mean American cinema is all bad - America has produced so many great films that you could never watch them all in one lifetime.
The Carry On films, from the heyday of British film comedy
sb-img-17
Looking for a deeper insight into the most popular series of British film comedies? Visit our page and we'll give you one.
The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
The Golden Age of French cinema
sb-img-11
Discover the best French films of the 1930s, a decade of cinematic delights...
 

Other things to look at


Copyright © frenchfilms.org 1998-2024
All rights reserved



All content on this page is protected by copyright