Film Review
Stéphane Vuillet earned favourable reviews for his first full-length film,
25
degrés en hiver, an unusual kind of social drama which, despite its refreshingly
original approach, doesn't have the impact it ought. Whilst the film has many attractive
qualities - an engaging carefree narrative style, great acting and some imaginative camera
work - the threadbare storyline and clunky
auteur
editing are more than a little off-putting. The first ten minutes and last ten minutes
of the film are extraordinarily effective, revealing a director with great talent and
a genuine sensibility for human suffering. Unfortunately, it's the tedious, rambling,
unstructured chunk in the middle which leaves the greatest impression, a film that is
just too long and too padded for the story it has to tell. Despite a faultless performance
from Jacques Gamblin (the film's greatest asset), the initial impression of stark realism
rapidly melts away when the weakness in the characterisation and implausibility of the
plot become apparent. As a piece of drama,
25
degrés en hiver is grimly disappointing, but it does have some artistic
strengths, notably a very individual style and raw humanity, suggesting a director who
is capable of great things.
© James Travers 2007
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Film Synopsis
Miguel is a Spanish immigrant who has settled in Brussels. He works for his brother,
the owner of a travel agency shop, and is bringing up his young daughter alone after his
wife left him to pursue a singing career in America. One day, Miguel is heading
to the airport to collect a client when he is caught up in a traffic jam. The next
thing he knows he is sharing his car with a strange woman, Sonia, an illegal immigrant
from the Ukraine. Against his wishes, Miguel is persuaded to take charge of the
desperate woman and take her to her husband, who has settled somewhere in the country.
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.