Film Review
You get two Michel Serraults for the price of one in this frothy mix of satirical comedy
and burlesque farce written by the popular actor-writer Jean Poiret (whose best known
work is the original stage version of
La Cage aux folles).
Serrault started out as a comedy performer, for a time forming a very successful
double act with Poiret, so he is in his element in this lively comedy which
makes good use of both his comedic skills and his talent as a character actor.
La Gueule de l'autre gives him the opportunity to play two
very different characters in the same film, one a cowardly politician, the other a timid
comedian made famous by a deodorant ad. Serrault
is joined by a number of other talented and well-known actors, including Curd Jürgens,
Bernadette Lafont, Michel Blanc and Jean Poiret himself.
The comedy is typically French - relying mainly on clever wordplay, which may be
too subtle for non-French speaking audiences to get - although there is
also a fair amount of vaudevillian tomfoolery to help liven things
up a bit. Some parts of the film are outrageously funny, such as the scene where Gilbert
has to mime to a tape recording of one of his cousin's speeches - the pitfalls of relying
on technology become all too apparent.
Although the film's director Pierre Tchernia devoted more of his time to
television he did turn out one or two other notable films for the cinema,
other entertaining examples being
Le Viager (1972) and
Les Gaspards (1974).
© James Travers 1999
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Film Synopsis
An election campaign is well under way in Paris when one of the candidates,
Martial Perrin, the leader of a right-wing political party, is thrown into
a sudden panic. He has just heard the news that convicted criminal
Richard Krauss has recently escaped from prison. Ten years ago, in
the mid-1960s, Perrin was one of the men involved in bringing Krauss to justice
after his involvement in a thwarted coup d'état in the then French-controlled
African state of Djibouti. Now it seems that Krauss is determined to
have his revenge by executing each and every one of the individuals who contributed
to his arrest and imprisonment - including Perrin.
Realising that Krauss means business, Perrin becomes fearful for his life
and starts behaving in a way that could well jeopardise his election chances.
No longer the resolute man of iron, Perrin is now starting to resemble a
jellyfish, cowardly flinching at the least suspicion of personal danger.
His loyal adviser Jean-Louis Constant comes to his rescue, by suggesting
that he should recruit his cousin Gilbert Brossard, a failed actor, to take
his place for the duration of the campaign, at least until the police catch
up with Krauss. Aware that Gilbert is so physically similar to him
that he could readily pass for his twin brother, Martian agrees.
Gilbert has no qualms about accepting this proposal when it is put to him,
so grateful is he for the opportunity to prove himself as an actor.
If he can convince the voting public and those in his cousin's immediate
entourage - including his wife - that he is Martial Perrin, Gilbert will
have demonstrated to the world that he is worthy of his profession and offers
of work will surely come flooding in afterwards. Unfortunately, if
the homicidal Krauss is taken in by this deception, his career may be about
to end much sooner than he imagines...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.