Violence des échanges en milieu tempéré (2003) Directed by Jean-Marc Moutout
Drama
aka: Work Hard, Play Hard
Film Review
This effective piece of social drama from director Jean-Marc Moutout paints a chilling
yet thoroughly accurate picture of the business world and its corrupting influence on
apparently decent people. Whatever social responsibilities employers may have had
in the past are constantly eroded in the pursuit of profits by Big Business, aided and
abetted by an over-zealous army of management consultants. The film is cold and
detached for the most part, but it tells its story with great power and humanity -
both the wider social context and also its narrower scope, the portrayal of an individual
who realises he is effectively a “livelihood butcher” who ends up jettisoning
his ideals to survive. There are some obvious parallels with the corrupting influence
of fascism, particularly in the sequences near the end of the film where the management
consultants attend a party and end up chanting the mantra “Work Hard, Play Hard”,
in a way that is disturbingly reminiscent of the Nuremburg Rally. Moutout's
restrained direction and an exceptional performance from Jérémie Rénier
make this one of the most thought-provoking French language films of recent years.
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Next Jean-Marc Moutout film: La Fabrique des sentiments (2008)
Film Synopsis
A young business graduate, Philippe Seigner, can hardly believe his good fortune when
he lands a job with an exclusive firm of management consultants, based in Paris.
On his way to work, he meets and befriends an attractive young woman, Eva. Whilst
Philippe is set for a high-flying executive career, Eva is a modest receptionist and a
single mother - but the two soon realise they are in love. Philippe's
first assignment is to conduct an audit of a factory, not realising that it is soon to
be bought up by a larger company, resulting in up to a hundred redundancies. When
he learns the truth, Philippe is disgusted and feels unable to complete his mission.
However, to Eva's horror, his yearning for a successful career ultimately triumphs
over his idealist principles…
American film comedy had its heyday in the 1920s and '30s, but it remains an important genre and has given American cinema some of its enduring classics.
From Jean Renoir to François Truffaut, French cinema has no shortage of truly great filmmakers, each bringing a unique approach to the art of filmmaking.