Une semaine sur deux (et la moitié des vacances scolaires) (2009)
Directed by Ivan Calbérac

Comedy / Drama / Romance
aka: Alternate Weeks (and Half the Vacation)

Film Review

Abstract picture representing Une semaine sur deux (et la moitie des vacances scolaires) (2009)
Precocious infants accustoming themselves to their parents' separation, a pre-adolescent's first painful experience of love, improbable rencontres that soon develop into turbulent romantic liaisons...  Une semaine sur deux (et la moitié des vacances scolaires) latches onto so many recycled story ideas that it cannot help resembling a closing down sale in a charity shop.   For his third feature, director Ivan Calbérac assembles a superlative cast but, with callous disregard for their talent, loses them all in the Grimpen Mire of a script that seems to have been written by someone suffering from an extreme case of attention deficit disorder.  There are some beautiful moments along the way (Bernard Campan is superb, as ever, and gives a sensitive and convincing portrayal of a divorced father struggling to reconstruct his life) but instead of weaving these together into a cohesive whole Calbérac is content merely to skate along the surface, jumping from one cri de coeur to another, like a manic télé-zappeur.  Anyone who has seen Calbérac's very likeable debut feature Irène (2002) can only be disappointed by this limp coming-of-age comedy-drama, which is barely salvaged by its talented cast.
© James Travers 2002
The above content is owned by filmsdefrance.com and must not be copied.
Next Ivan Calbérac film:
L'Étudiante et Monsieur Henri (2015)

Film Synopsis

Léa is twelve years old and wishes that her parents lived in the same house, like normal parents, instead of living apart to pursue their own separate lives.  It has only been a short time since her parents' divorce, and yet already she is tired of being shunted backwards and forwards between her mother Marjorie, who is too preoccupied with her work to show any interest in her family, and her father François, who is struggling to adjust to his new life.  Léa's woes are not helped by her irritating kid brother, an eight-year-old eco-warrior who is already obsessed with saving the planet.  As her parents set about trying to rebuild their lives, Léa has her first tentative encounter with love when she suddenly notices Hugo, one of her classmates.  She is about to see things from a whole new perspective...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Ivan Calbérac
  • Script: Ivan Calbérac
  • Cinematographer: Denis Rouden
  • Music: Laurent Aknin
  • Cast: Mathilde Seigner (Marjorie), Bernard Campan (François), Bertille Chabert (Léa), Grégori Derangère (Jérôme), Judith Davis (Pauline), Danièle Lebrun (Nicole, la mère de Marjorie), Jean-Baptiste Fonck (Maxime), Keyne Cuypers (Hugo), Manon Valentin (Chloé), Didier Brice (M. Gaudin), Camille Bardery (Le prof de gym), Anne Charrier (Clara), François Toumarkine (Le prof de musique), Christine Gagnieux (Le juge), Alain Debruyne (L'avocat), Laure-France Masson (La pianiste), Thérèse Roussel (La prof de piano), Jade Ben Turkia (Manon), Mattéo La Capria (Gulliver), Fabien Tribel (Karim)
  • Country: France
  • Language: French
  • Support: Color
  • Runtime: 98 min
  • Aka: Alternate Weeks (and Half the Vacation)

The best films of Ingmar Bergman
sb-img-16
The meaning of life, the trauma of existence and the nature of faith - welcome to the stark and enlightening world of the world's greatest filmmaker.
Continental Films, quality cinema under the Nazi Occupation
sb-img-5
At the time of the Nazi Occupation of France during WWII, the German-run company Continental produced some of the finest films made in France in the 1940s.
The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
French cinema during the Nazi Occupation
sb-img-10
Even in the dark days of the Occupation, French cinema continued to impress with its artistry and diversity.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright