Film Review
The late 1990s saw not just one but three films which sought to make light of the Holocaust,
with varying degrees of success. The most memorable was Roberto Benigni's
Life is Beautiful (1997), which strikes just
the right balance between pathos and comedy and is surprisingly easy to engage with.
The least successful was Peter Kassovitz's overly sentimental
Jakob the Liar (1999),
a Robin Williams offering which is probably best forgotten. Somewhere in the artistic
gulf between these two extremes lies a third, lesser known work, from the Rumanian-born
director Radu Mihaileanu,
Train de vie.
Like Benigni's film,
Train de vie approaches
the subject of the Holocaust in a way that feels, on the face of it, totally inappropriate.
It is a boisterous farce, very much in the French tradition, rejoicing in the vitality,
humour and self-mockery of Jewish culture whilst portraying the Nazis as bland, ineffectual
buffoons. However, whereas
Life is Beautiful
achieves an intense poignancy by keeping us aware of what the Holocaust really was about
and how much suffering was endured, this is almost totally absent from Mihaileanu's film.
Train de vie almost overlooks the Holocaust,
or, at least, seems to have no idea of what it involved. Instead, it seems to be
exclusively occupied with Jews making fun of themselves.
Incredibly for a film
which is meant to be about Jews fleeing from certain death at the hands of the Nazis,
there is no sense of threat or fear. This is the main reason why this is such a
difficult film to stomach - it is hard to reconcile one's own, albeit very limited
understanding of the Holocaust, with the picture the film is presenting us with.
It just feels wrong, or at least naive. To some extent, the balance is redressed
in the film's devastatingly effective final shot, which provides a somewhat belated apology
for the film's eccentric view of the Shoah. If only Mihaileanu had managed to inject
as much poignancy and humanity into the rest of the film, this would undoubtedly have
been a masterpiece. As it stands, the film feels more like a madcap Jewish version
of
La
Grande vadrouille (1966), offering plenty of easy laughs, but lacking any real
human feeling and depth.
© James Travers 2006
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Film Synopsis
In the summer of 1941, Schlomo "the fool" hastens back to his Jewish settlement in an
East European country with the news that the Nazis are approaching. To avoid being
deported like their neighbours, the Jews agree to deport themselves, in a false convoy,
with some of their number disguised as German soldiers. Their destination: Palestine.
Having assembled a train piece by piece, the Jews are soon ready to depart. However,
it isn't long before they are spotted by the real Nazis…
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.