The Magic Box (1951)
Directed by John Boulting

Biography / Drama

Film Review

Abstract picture representing The Magic Box (1951)
Based on a now largely discredited biography (Friese-Greene, Close-Up of an Inventor by Ray Allister), this romanticised biopic recounts the life story of William Friese-Greene, one of the early pioneers of the moving image.  At the time The Magic Box was made, its claim that Friese-Greene was the man who had invented the forerunner of the modern movie camera was highly contentious, but in recent years it has gained currency.  Whilst the film is littered with factual inaccuracies it provides a warm tribute to one of the all-but forgotten pioneers of cinema and helped to prevent Friese-Greene's name from languishing forever in total obscurity. 

The Magic Box is a lavish Technicolor production commissioned for the 1951 Festival of Britain, although it was not put out on general release until the festival had ended and proved to be an expensive box office flop.   Produced by Ronald Neame and directed by John Boulting (of Brighton Rock and I'm All Right Jack fame), the film features a host of distinguished British character actors, most of whom appear only fleetingly in small cameo roles.  This cast list reads like a Who's Who of British cinema circa 1950, the most prominent names being Margaret Rutherford, Laurence Olivier, Joyce Grenfell, Peter Ustinov and Cecil Parker.  The eager-eyed will have fun putting a name to the famous faces that momentarily appear on the screen, from Googie Withers and Thora Hird, to William Hartnell and Sid James.

It was most probably on the strength of his Oscar-winning performance in Goodbye, Mr. Chips (1939) that Robert Donat was chosen to portray William Friese-Greene across many decades, from spry young thing to frail oldster.  Donat's affable screen persona enlivens what could so easily have been a dull and plodding melodrama, and few other English actors of this period could have handled the pathos of Friese-Greene's declining years with such delicacy and charm.  Out-shining both his female co-stars, Margaret Johnston and Maria Schell, Donat fills each scene he appears in with the infectious enthusiasm of the dedicated inventor, but still leaves place to reveal the human side of his character.

Eric Ambler's script is perhaps too faithful to Allister's biography, but by employing a tidy flashback structure it manages to defer Friese-Greene's moment of triumph to the end, allowing the film's final sequence to have a particularly acute sense of poignancy.  More an inspirational film than an informative one, The Magic Box both celebrates the work of one overlooked genius whilst reminding us all that the most important thing in life is not the attainment of success, but the honest pursuit of one's dream.
© James Travers 2013
The above content is owned by filmsdefrance.com and must not be copied.

Film Synopsis

In 1921, an elderly William Friese-Greene visits his estranged wife Edith and tries to persuade her to come back and live with him.  She refuses and recalls their earlier life together.  Throughout the time she was married to him, Friese-Greene worked tirelessly on his experiments, neglecting his duties as a husband and father as he toiled to improve the film camera he had invented.  Edith concludes that she never really knew her husband at all.  Whilst attending a film industry conference, Friese-Greene casts his mind back over an earlier phase of his life, beginning with the period when he worked as a portrait photographer in Bristol.  It was here that he came to meet his first wife, Helena, who selflessly supported him as he worked on the invention he was certain would bring him fame and fortune: a camera that could record moving images and project them onto a screen...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: John Boulting
  • Script: Ray Allister, Eric Ambler
  • Cinematographer: Jack Cardiff
  • Music: William Alwyn
  • Cast: Renée Asherson (Miss Tagg), Richard Attenborough (Jack Carter), Robert Beatty (Lord Beaverbrook), Martin Boddey (Sitter in Bath Studio), Edward Chapman (Father in Family Group), John Charlesworth (Graham Friese-Greene), Maurice Colbourne (Bride's Father in Wedding Group), Roland Culver (1st Company Promoter), John Howard Davies (Maurice Friese-Greene), Michael Denison (Reporter), Robert Donat (William Friese-Greene), Joan Dowling (Maggie), Henry Edwards (Butler at Fox Talbot's), Mary Ellis (Mrs. Nell Collings), Marjorie Fielding (Elderly Viscountess), Robert Flemyng (Doctor in Surgery), Leo Genn (Maida Vale Doctor), Marius Goring (House Agent), Everley Gregg (Bridegroom's Mother in Wedding Group), Joyce Grenfell (Mrs. Claire)
  • Country: UK
  • Language: English
  • Support: Color (Technicolor)
  • Runtime: 103 min

The best French Films of the 1910s
sb-img-2
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
The very best sci-fi movies
sb-img-19
Science-fiction came into its own in B-movies of the 1950s, but it remains a respected and popular genre, bursting into the mainstream in the late 1970s.
French cinema during the Nazi Occupation
sb-img-10
Even in the dark days of the Occupation, French cinema continued to impress with its artistry and diversity.
The very best period film dramas
sb-img-20
Is there any period of history that has not been vividly brought back to life by cinema? Historical movies offer the ultimate in escapism.
The best of Indian cinema
sb-img-22
Forget Bollywood, the best of India's cinema is to be found elsewhere, most notably in the extraordinary work of Satyajit Ray.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright