The Lady Is Willing (1942) Directed by Mitchell Leisen
Comedy / Drama
Film Review
Marlene Dietrich's best years in front of the camera were behind her when
she agreed to star in this fairly lacklustre comedy
directed by Mitchell Leisen, who was also way past his prime.
The Lady Is Willing is an odd
concoction of farce, screwball comedy and melodrama that tries
desperately to make something of its totally implausible (and at times
frankly disturbing) storyline. There are one or two reasonably good
laughs along the way, but the comedy is pretty hit-and-miss, and
Dietrich clearly looks uncomfortable in a film that almost
seems hell-bent on wasting her talents.
The pairing of the über-charismatic
German diva (star of such classics as
Der Blaue Engel (1930),
Shanghai Express (1932) and
The Devil Is a Woman (1935))
with the ever-dependable Fred MacMurray (Double Indemnity (1944))
sounds good on paper but the
chemistry is conspicuous by its absence and this is just one
more reason why the film is doomed to fail (the main reason being a laughably bad script). This
comedy misfire might well have been the end of Dietrich's
career, but Fate was kind enough to throw her one or two life-lines to keep
her flagging film career afloat, notably Billy Wilder's
Witness for the Prosecution (1957)
and Alfred Hitchcock's Stage Fright (1950).
The above content is owned by filmsdefrance.com and must not be copied.
Film Synopsis
When Broadway star Liza Madden suddenly discovers her maternal instinct
one day, she thinks nothing of picking an abandoned toddler off the
street and taking him back to her apartment. Despite the
protestations of her business manager, Liza is determined to adopt the
child, and immediately calls in Dr. Corey McBain to examine him.
When she learns that she can only keep the child if she is married,
Liza makes Dr McBain a strange proposition - if he marries her, she
will give him the financial backing he needs to carry out
groundbreaking research on rabbits. All goes well until Dr
McBain's first wife turns up...
Script: James Edward Grant (story),
Albert McCleery
Cinematographer: Ted Tetzlaff
Music: W. Franke Harling
Cast:Marlene Dietrich (Elizabeth 'Liza' Madden),
Fred MacMurray (Dr. Corey T. McBain),
Aline MacMahon (Buddy),
Stanley Ridges (Kenneth Hanline),
Arline Judge (Frances),
Roger Clark (Victor),
Marietta Canty (Mary Lou),
David James (Baby Corey),
Ruth Ford (Myrtle Glossamer),
Harvey Stephens (Dr. Golding),
Harry Shannon (Detective Sergeant Barnes),
Elisabeth Risdon (Mrs. Cummings),
Charles Lane (K.K. Miller),
Murray Alper (Joe Quig),
Kitty Kelly (Nellie Quig),
Eddie Acuff (Patrolman Murphy),
Ernie Adams (Doorman),
Helen Ainsworth (Interior Decorator),
Myrtle Anderson (Maid),
Georgia Backus (Nurse)
Country: USA
Language: English
Support: Black and White
Runtime: 92 min
The best French Films of the 1910s
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.