The Finishing Touch (1928) Directed by Clyde Bruckman, Leo McCarey
Comedy / Short
Film Review
This virtually plotless silent short allows Laurel and Hardy to do what
they do best, indulge in some wonderfully over-the-top slapstick.
The film is not as well regarded as the team's other build-and-demolish
escapades, such as Towed in a Hole and Busy
Bodies, but it offers some superb sight gags. These
include the one in which Stan walks past a policeman with an improbably
long blank, only to appear at the other end of the plank about a minute
later. By this stage, Stan and Ollie have perfected their
characters' relationship to a tee, and although there is no sound you
can mentally hear Stan's self-pitying whimpers and Ollie's tortured
shrieks when things go horribly wrong. Not quite an out-and-out classic but
great fun all the same.
The above content is owned by filmsdefrance.com and must not be copied.
Film Synopsis
A man offers Stan and Ollie five hundred dollars if they can build him
a house in double quick time. Encouraged by this bonus, the boys
hastily set to work, with more enthusiasm than skill. In spite of
their valiant attempts to do otherwise, they manage to complete the
house on time. But when a bird lands on the chimney, the quality
of their workmanship becomes horribly apparent...
Since the 1920s, Hollywood has dominated the film industry, but that doesn't mean American cinema is all bad - America has produced so many great films that you could never watch them all in one lifetime.
A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.