Film Review
By the time they came to make
Swing
Time, Fred Astaire and Ginger Rogers had become Hollywood's
biggest box office draw, their sprightly song and dance musical
comedies being the perfect antidote to the Depression Era blues.
The charismatic couple had already featured in five films for RKO,
including the hugely successful
The Gay Divorcee (1934) and
Top
Hat (1935). With the worst of America's economic
crisis over by 1937, the popularity of this iconic double act soon
began to wane and their films were no longer the box office hits they
had once been.
Swing Time
is the last of the great Astaire-Rogers successes and is, arguably,
their finest film. They would appear together in four more films
after this but, at the time, it must have been apparent that their
glory years were behind them.
Swing Time has everything you
could possibly want from a classic Astaire-Rogers musical.
Lavish, meticulously choreographed dance routines, a seemingly endless
succession of uplifting songs, a healthy dose of slapstick, and plenty
of good old-fashioned romance. This is the film that features
Jerome Kern's best known songs:
Pick
Yourself Up,
The Way You Look
Tonight and
A Fine Romance.
The dances are amongst the most imaginative and elegant ever to have
been committed to celluloid, the highpoint being the stunning
Never Gonna Dance number, in which
Astaire and Rogers dance a tragic ode to doomed love across a
spectacular Art Deco set. Astaire even offers a spirited
tribute to the legendary black dancer Bill Robinson, tastefully blacked
up and somehow managing to dance with three enormous shadows of himself
(achieved through some inventive trick photography).
Fred Astaire and Ginger Rogers had never looked so good, nor performed
so well together. Even today, it is hard not to be mesmerised by
the sheer elegance and complexity of their dance routines, many of
which took weeks of hard work to perfect. Victor Moore and Helen
Broderick are on hand to provide some light relief and keep things
bubbling along happily between the magnificent set piece dances.
With such an abundance of classic ballads and high class hoofing,
Swing Time cannot fail to be one of
the all time greats of Hollywood. Who needs a course of
anti-depressants when you can find instant relief with a glorious
cinematic jewel like this?
© James Travers 2009
The above content is owned by filmsdefrance.com and must not be copied.
Next George Stevens film:
A Damsel in Distress (1937)
Film Synopsis
When his friends play a practical joke on him, dancer John Garnett
arrives too late for his wedding. His prospective father-in-law
is unimpressed by this turn of events and tells Garnett that he will
only consent to the marriage once he has earned $25,000.
Determined not to be cheated out of his bride, Garnett hastily sets out
for New York to make his fortune at the gambling tables. Here, he
meets an attractive dancing instructor, Penny, and instantly falls in
love with her. They form a dancing couple and have no difficulty
finding work. The problem is that if they are too successful
Garnett will earn more than $25,000 and risks having to marry his
fiancée back home. To make matters worse, band leader
Ricardo Romero is also in love with Penny and is just as determined to
make her his wife...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.