Sailor Beware (1956)
Directed by Gordon Parry

Comedy
aka: Panic in the Parlor

Film Review

Abstract picture representing Sailor Beware (1956)
More a depressing sociological document than an enduring piece of film entertainment, Sailor Beware typifies the anodyne lowbrow fare that was popular with British cinema audiences in the 1950s (although today the appeal of such films is totally mystifying).  It was based on a successful West End stage play of the same name which brought instant fame to an unknown character actress, Peggy Mount.  The film's remarkable performance at the box office made Mount an overnight national star, although she was immediately typecast her for the rest of her career in one kind of role, that of the unsympathetic, cantankerous old battleaxe.   Mount is what they call an acquired taste, although some consider her an instrument of torture.

The popular television 1960s sitcom George and the Dragon, in which the blood-spitting Mount starred opposite Sid James, was a virtual spin-off of Sailor Beware, and the character she played in the long-running sitcom You're Only Young Twice is clearly a close relation of Emma Hornett, with the put-upon Esma Cannon replaced by Pat Coombs.  Despite being almost as dated as the Dead Sea Scrolls (and only marginally funnier), Sailor Beware has a certain charm on account of its blithe political incorrectness, although Peggy Mount's relentless, take-no-prisoners tirades soon become tiring and ever-so-slightly nerve-racking.  Watch very closely and you may just catch a fleeting glimpse of Michael Caine in one of his first film appearances.
© James Travers 2013
The above content is owned by filmsdefrance.com and must not be copied.

Film Synopsis

When able-bodied seaman Albert Tufnell lands in England, with his chum Carnoustie Bligh, he hopes to combine shore leave with a spot of marriage.  His intended is Shirley, the attractive daughter of fastidious, overbearing housewife Emma Hornett.  Just when everything appears to be going so well, the groom makes an alarming discovery: his prospective mother-in-law has put down a deposit on a house just a few doors from her own.  On the day of the wedding, Albert fails to turn up at the church...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Gordon Parry
  • Script: Falkland L. Cary, Philip King
  • Cinematographer: Douglas Slocombe
  • Music: Peter Akister
  • Cast: Peggy Mount (Emma Hornett), Shirley Eaton (Shirley Hornett), Ronald Lewis (Albert Tufnell), Cyril Smith (Henry Hornett), Esma Cannon (Edie Hornett), Gordon Jackson (Carnoustie Bligh), Geoffrey Keen (Rev. Mr. Purefoy), Joy Webster (Daphne Pink), Thora Hird (Mrs. Lack), Eliot Makeham (Uncle Brummell), Fred Griffiths (Taxi Driver), Edie Martin (Little Woman in Church), Margaret Moore (Little Girl), Barbara Hicks (Little Girl's Mother), George Rose (Waiter at Banfield's), Frank Atkinson (Chauffeur), Alfie Bass (Organist), Richard Beynon (Bearded Sailor), Douglas Blackwell (Co-op Man), Michael Caine (Sailor)
  • Country: UK
  • Language: English
  • Support: Black and White
  • Runtime: 81 min
  • Aka: Panic in the Parlor

The best of Russian cinema
sb-img-24
There's far more to Russian movies than the monumental works of Sergei Eisenstein - the wondrous films of Andrei Tarkovsky for one.
The very best of the French New Wave
sb-img-14
A wave of fresh talent in the late 1950s, early 1960s brought about a dramatic renaissance in French cinema, placing the auteur at the core of France's 7th art.
The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
The best of American cinema
sb-img-26
Since the 1920s, Hollywood has dominated the film industry, but that doesn't mean American cinema is all bad - America has produced so many great films that you could never watch them all in one lifetime.
The Carry On films, from the heyday of British film comedy
sb-img-17
Looking for a deeper insight into the most popular series of British film comedies? Visit our page and we'll give you one.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright