Pack Up Your Troubles (1932)
Directed by George Marshall, Ray McCarey

Comedy / War

Film Review

Abstract picture representing Pack Up Your Troubles (1932)
Laurel and Hardy's second feature is something of an oddity, a Chaplinesque melange of slapstick, social realism and sentiment that lacks the coherence and unremitting anarchic fun of the duo's later full-length films.  Pack Up Your Troubles suffers from a contrived, overly developed plot, which both restrains and hampers the comedy.  There are some deliriously funny comic excursions - the best being the sequence in which Stan and Ollie tumble into a tank and singlehandedly round up an entire battalion of German soldiers.  But there are also some inescapable failings - gaping holes in the plot and a plethora of unsympathetic secondary characters who have no right being in a Laurel and Hardy film.

The scenes in which Stan and Ollie attempt to provide a loving home for the little girl they have taken under their wing certainly have a poignancy that is rare for a L&H film.  Whilst Ollie does the ironing and comes close to maiming himself in the process, Stanley allows the little girl to tell him a bedtime story, with a predictable outcome.  Although the little girl in question (Jackie Lyn Dufton) is visibly struggling with her improvised lines, she ends up virtually stealing the show, and what a joy it is to see her imitating the mannerisms of our two comedy heroes. 

Pack Up Your Troubles may not be one of Laurel and Hardy's better offerings but that doesn't make it a bad film.  It takes more than a mangled plot, some inappropriate characterisation and a deluge of sentimentality to quash Stan and Ollie's comic abilities.  The jokes may be thinner on the ground than in their subsequent films, but when they come they are guaranteed to hit their mark, like an Exocet missile primed with industrial strength laughing gas.   It is enough to make you pack up your troubles (in whichever item of luggage you prefer) and smile, smile, smile.
© James Travers 2010
The above content is owned by filmsdefrance.com and must not be copied.

Film Synopsis

When America enters WWI in 1917, Stan and Ollie try to avoid being drawn into the fray by pretending to be crippled war veterans.  Alas, a keen-eyed recruiting officer sees through their deception and they are soon in uniform, on their way to the Western Front.  Miraculously, the boys survive the trauma of trench warfare and after the armistice they head back to America with a vital mission to perform.  Their task is to track down the daughter of a friend of theirs who was killed in the war and place her in the care of her grandparents.  Finding the little girl proves to be easy enough.  She is being looked after (if that is the right word) by a bickering couple whose idea of parental care involves beating and intimidation.  Locating the girl's grandparents is somewhat more difficult, since their surname is Smith.  Having contacted several thousands of Smiths, Stan and Ollie are almost ready to give up.  They are then visited by a child welfare officer who tells them that they must surrender the little girl so that she may be placed in an orphanage.  Appalled by this outcome, the boys realise that they must leave town immediately, and to do this they must find money fast...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: George Marshall, Ray McCarey, Harry Black, Lloyd French
  • Script: Stan Laurel, Ray McCarey, H.M. Walker (dialogue)
  • Cinematographer: Art Lloyd
  • Music: Marvin Hatley
  • Cast: Stan Laurel (Stan), Oliver Hardy (Ollie), Don Dillaway (Eddie Smith), Jackie Lyn Dufton (Eddie's Baby), Mary Carr (Old Woman with Letter), James Finlayson (General), Richard Cramer (Uncle Jack), Adele Watson (Annie), Tom Kennedy (Recruiting Sergeant), Charles Middleton (Welfare Association Officer), Richard Tucker (Mr. Smith), Muriel Evans (Wrong Eddie's Bride), Grady Sutton (The Wrong Eddie), C. Montague Shaw (Wrong Eddie's Father), Billy Gilbert (Mr. Hathaway), Robert Barrat (Detective), Frank Brownlee (Drill Sergeant), E.H. Calvert (Small Role), Nora Cecil (Welfare Association Officer), Baldwin Cooke (Doughboy)
  • Country: USA
  • Language: English
  • Support: Black and White
  • Runtime: 68 min

The very best fantasy films in French cinema
sb-img-30
Whilst the horror genre is under-represented in French cinema, there are still a fair number of weird and wonderful forays into the realms of fantasy.
The best French films of 2019
sb-img-28
Our round-up of the best French films released in 2019.
The very best sci-fi movies
sb-img-19
Science-fiction came into its own in B-movies of the 1950s, but it remains a respected and popular genre, bursting into the mainstream in the late 1970s.
The best of Russian cinema
sb-img-24
There's far more to Russian movies than the monumental works of Sergei Eisenstein - the wondrous films of Andrei Tarkovsky for one.
The Carry On films, from the heyday of British film comedy
sb-img-17
Looking for a deeper insight into the most popular series of British film comedies? Visit our page and we'll give you one.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright