Oh, Mr. Porter! (1937)
Directed by Marcel Varnel

Comedy

Film Review

Abstract picture representing Oh, Mr. Porter! (1937)
The best and funniest of all Will Hay's comedies, Oh, Mr. Porter! still stands as one of the all-time classics of British cinema, a joyous anarchic romp that can never fail to send an audience into hysterics of unbridled laughter.  Once again, Hay is cast as the pompous authority figure whose Grade A ineptitude proves to be the catalyst for a series of comic disasters of escalating hilarity.   Although he has the demeanour of a surly schoolmaster and the aptitude of a man who can't toast a slice of bread without incinerating his entire neighbourhood, Will Hay's comedy persona is every bit as engaging as that of the other comedy giants of his era.

Oh, Mr. Porter! serves up a well-stacked compendium of some of the funniest jokes you will find in any British film - quick-fire dialogue (which moves at the pace of a souped-up express train) and inventive visual gags that rival anything that Buster Keaton and Charlie Chaplin came up with.  The wagons which accidentally get shunted over the side of a precipice...  The three protagonists spinning helplessly around on the sails of a windmill...  And throughout all this mayhem, Will Hay's self-important character is unflummoxed and unflustered, totally unaware that he is the instigator of the chaos that surrounds him.  (Admit it, we've all worked for people like that at some time.)  There can be no better introduction to the work of this now sadly neglected comic genius than this totally inspired and irresistibly funny comedy masterpiece.
© James Travers 2009
The above content is owned by filmsdefrance.com and must not be copied.

Film Synopsis

After having failed in virtually every other job going, railway employee William Porter finally feels he has found his metier as a wheel-tapper, but his sister decides that this is too lowly a position for him.  She tells her husband, who just happens to be the man who runs the railways, that unless he finds William a more respectable job, she will invite him to live in their house.  Mr Porter's sudden promotion takes him to Northern Ireland, where he will be the stationmaster at a remote country station in the backwater town of Buggleskelly.  To Mr Porter's dismay, the station is in a derelict state, trains hardly ever stop there, and the locals are so afraid of a ghost that is reputed to haunt the area that they never venture outdoors after dark.  As if all this was not enough, his deputy and porter survive by stealing goods from passing trains and swapping tickets for food.  Mr Porter is the latest in a long line of station masters who either went to an early grave or bought a one-way ticket to the funny farm within a few weeks of starting work at the station.  Determined to make a change for the better, Mr Porter has the station redecorated and sets about arranging excursions to nearby towns.  Just how long will it be before the curse of Buggleskelly claims its next victim...?
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Marcel Varnel
  • Script: Frank Launder (story), J.O.C. Orton, Val Guest, Marriott Edgar
  • Cinematographer: Arthur Crabtree
  • Music: Charles Williams
  • Cast: Will Hay (William Porter), Moore Marriott (Jeremiah Harbottle), Graham Moffatt (Albert), Sebastian Smith (Mr. Trimbletow), Agnes Lauchlan (Mrs. Trimbletow), Percy Walsh (Superintendent), Dennis Wyndham (Grogan), Dave O'Toole (The Postman), Frank Atkinson (Irate Irishman in Barney's Bar), Bryan Herbert (Express Train Guard), Frederick Lloyd (Official at Ceremony), Frederick Piper (Mr. Leadbetter), Charles Rolfe (Express Train Driver), Beatrice Varley (Barney's Bar Landlady), Betty Jardine
  • Country: UK
  • Language: English
  • Support: Black and White
  • Runtime: 85 min

The best of Japanese cinema
sb-img-21
The cinema of Japan is noteworthy for its purity, subtlety and visual impact. The films of Ozu, Mizoguchi and Kurosawa are sublime masterpieces of film poetry.
The very best of German cinema
sb-img-25
German cinema was at its most inspired in the 1920s, strongly influenced by the expressionist movement, but it enjoyed a renaissance in the 1970s.
The best of Indian cinema
sb-img-22
Forget Bollywood, the best of India's cinema is to be found elsewhere, most notably in the extraordinary work of Satyajit Ray.
The Carry On films, from the heyday of British film comedy
sb-img-17
Looking for a deeper insight into the most popular series of British film comedies? Visit our page and we'll give you one.
The best of American cinema
sb-img-26
Since the 1920s, Hollywood has dominated the film industry, but that doesn't mean American cinema is all bad - America has produced so many great films that you could never watch them all in one lifetime.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright