Film Review
Six years after making an impressive debut with his first feature
Adieu
Gary (2009), director Nassim Amaouche returns with an
eagerly anticipated second film in which he himself plays the lead
role. The part was originally intended for Yasmine Belmadi, the
principal actor of Amaouche's previous film, but Belmadi's tragic death
in a road accident (just a few days before
Adieu Gary's original French
release in July 2009) put paid to this. A palpable sense of
mourning hangs over
Des Apaches
and whilst Belmadi is not visible on screen, his presence is felt, in
Amaouche's committed and engaging performance.
If
Adieu Gary was intended as
a homage to the classic American western, its follow-up clearly owes
much to the classic American gangster movie - Martin Scorsese's
Mean
Streets (1973) and
Goodfellas (1990) being two
obvious influences. But rather than serve up a cold cuts
pastiche, Amaouche uses this as just one of several ingredients in a
thick bouillabaisse that offers a dark and ironic variation on the
coming-of-age theme, in which a young drifter of immigrant stock is
confronted with his North African origins. The thriller tropes
are intimately melded into a strange mix of social realism and
nostalgic fantasy - the result is a film that is frustratingly
difficult to get your head round and yet it acquits itself by virtue of
its unconventional form and imaginative handling of familiar
themes. The film doesn't live up to the promise of its beginning,
which practically serves as a documentary on the Kabyle community
(Algerian immigrants) in modern day Paris, and as soon as Laetitia Casta
shows up, giving a performance which is weak even by her
standards, a fair chunk of the film's credibility goes straight out of
the window.
The main problem with the film is that it doesn't quite manage to bring
its disparate elements together into a coherent whole. The
fragments remain disconnected, and it is not hard to be discombobulated
by the continual narrative jumping back and forth between the main
character's supposedly happy past and his melancholic present
(over-emphasised by the change of palette from warm hues to depressing
grey tones). The script is disappointing given that it was
co-written by Amaouche with Guillaume Bréaud, who had garnered
praise for his work on two previous films, Xavier Beauvois's
Le
Petit lieutenant (2005) and Pascale Ferran's
Bird People (2014).
Des Apaches does not diminish
Nassim Amaouche's potential as a serious filmmaker, but it lacks the
impact and charm of his first feature.
© James Travers 2015
The above content is owned by filmsdefrance.com and must not be copied.
Film Synopsis
Samir is a young man of Algerian origin who is coping badly with his
mother's recent death. At the funeral, his attention is drawn to
a stranger, whom he soon discovers is his estranged father. The
latter has made a success of his life, running a thriving café
in the Kabyle populated district of Belleville, but he now wants to
sell up, and for that he will need Samir's help. As memories of
his past come back to haunt him, Samir is drawn into an unfamiliar
world and an affair that will determine the course of his future
life. The time has come for Samir to put away his childhood and
accept the responsibilities of adulthood...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.