Nada (1974)
Directed by Claude Chabrol

Thriller / Drama
aka: The Nada Gang

Film Review

Abstract picture representing Nada (1974)
Coming towards the end of Claude Chabrol's second gold run of films, which ran from the late 1960s to the mid 1970s, Nada stands out as something of an oddity - a mix of political thriller and black comedy which has a far darker, far more ironic edge than anything Chabrol directed in this, arguably his best, era.  Based on a popular série noire novel by Jean-Patrick Manchette, the film reflects both the public's growing appetite for grimly realistic action thrillers and the perceived threat from increasingly militant leftwing activists.

Whereas Chabrol's previous populist thrillers - Le Tigre aime la chair fraiche (1964) and its equally bland sequel - stuck to a tried and tested formula to maximise audience size and consequently had virtually no intellectual merit, Nada looks like a conventional thriller but is one with an underlying political subtext, and a potent one at that.  In fact, this is possibly Chabrol's most overtly political film, and certainly one of his most scathing satires on contemporary society.  One of the concerns shared by many people at the time was the extent to which the State would go to maintain an ordered society.  As was reflected in the neo-polar novels and films of the period, there was a belief that the police would transcend moral boundaries, with the complicity of wealthy businessmen and legislators, to safeguard the interests of those who most benefited from maintaining the status quo (coincidentally, wealthy businessmen and legislators). 

In Nada, the ragtag band of fair weather terrorists find themselves pitted against an insuperable enemy, professional State-sponsored terrorists in the guise of the police.  The outcome is certain - the Nada group is obliterated with ruthless efficiency, their message and threat totally neutralised (well, almost).  Those that perform this necessary clean-up operation are themselves revealed to be pawns in a wider political game and end up no better off.  The true villains are not the police, but the mandarins sitting at the apex of our supposedly benign democratic system, the unseen guardians whose job it is to protect us - from ourselves.   Watching the film today, when the threat of terrorism is omnipresent, the film is as relevant as when it was first released (perhaps more so).  Who should we fear most - homicidal extremists made of clay or those god-like protectors in palaces of state who sit in judgement over us all?  The answer is self-evident.  We should fear both.
© James Travers 2008
The above content is owned by filmsdefrance.com and must not be copied.
Next Claude Chabrol film:
Les Innocents aux mains sales (1975)

Film Synopsis

Nada is a small leftwing terrorist group made up of six people from very different backgrounds.   Diaz, the most militant of the group, plans to kidnap the American ambassador Richard Poindexter, in a bid to draw attention to their cause.  One of the group, Treuffais, a timid philosophy teacher, will have no part in this and walks away.  His five comrades succeed in spiriting Poindexter away to a remote farmhouse.  Unfortunately for them, the police chief who is assigned to the case sees the elimination of the terrorists as having much greater priority than rescuing the ambassador...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: Claude Chabrol
  • Script: Claude Chabrol, Antonietta Malzieri, Jean-Patrick Manchette (novel)
  • Cinematographer: Jean Rabier
  • Music: Pierre Jansen
  • Cast: Fabio Testi (Buenaventura Diaz), Michel Duchaussoy (Marcel Treuffais), Maurice Garrel (André Épaulard), Michel Aumont (Goemond), Lou Castel (D'Arey), Didier Kaminka (Meyer), André Falcon (Le ministre), Lyle Joyce (Richard Poindexter), Viviane Romance (Madame Gabrielle), Mariangela Melato (Veronique Cash), Francis Lax (Édouard Longuevache), Rudy Lenoir (M. Bouillon), Jacques Préboist (Un automobiliste), Katia Romanoff (Anna Meyer), Dominique Zardi (Policeofficer), Douglas Hare (John), Jean-Louis Maury (Le chef de cabinet), François Perrot, Henri Attal, Jean-Marie Arnoux
  • Country: France / Italy
  • Language: French
  • Support: Color
  • Runtime: 132 min
  • Aka: The Nada Gang

The best French Films of the 1920s
sb-img-3
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
The best French films of 2019
sb-img-28
Our round-up of the best French films released in 2019.
The greatest French Films of all time
sb-img-4
With so many great films to choose from, it's nigh on impossible to compile a short-list of the best 15 French films of all time - but here's our feeble attempt to do just that.
The Carry On films, from the heyday of British film comedy
sb-img-17
Looking for a deeper insight into the most popular series of British film comedies? Visit our page and we'll give you one.
The best of American cinema
sb-img-26
Since the 1920s, Hollywood has dominated the film industry, but that doesn't mean American cinema is all bad - America has produced so many great films that you could never watch them all in one lifetime.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright