Film Review
The unbridled eccentricity of Georges Courteline's humorous 1893 novel
Messieurs les ronds-de-cuir is
matched by this lively adaptation, the last film to be directed by
Henri Diamant-Berger. In a career spanning five decades,
Diamant-Berger was a prolific filmmaker who was particularly adept at
popular comedies such as this, although he is best known for
Les Trois Mousquetaires (1921),
a big budget serial adaptation of Alexandre Dumas's most famous
novel. Although he was in his mid-sixties, no one was better
suited to bring Courteline's totally lunatic world of dysfunctional
functionaries to the big screen, supported by a cast of larger than
life performers that includes Noël-Noël, Pierre Brasseur,
Jean Poiret and Michel Serrault.
Bureaucracy isn't so much a profession in France as a way of life, as
this film amply demonstrates. As one hapless member of the public
traipses through endless corridors, sent hither and thither with no
hope in Hell of getting his enquiry serviced in his life time (or even
his children's life time), the entire staff of this outdated
administrative mausoleum indulge in whatever pastimes take their fancy,
taking care that none of these weird extracurricular activities results
in productive work.
Messieurs
les ronds de cuir may be set in a bygone era but, for anyone who
has ever had to deal with French bureaucracy (a fate worse than death),
it seems to be as relevant as ever. Time wasting is a sport at
which the French civil servant is still the unrivalled world expert.
© James Travers 2014
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Next Henri Diamant-Berger film:
Les Trois mousquetaires (1921)
Film Synopsis
In 1906, Monsieur Boudin takes advantage of the laxity of his employers
by repeatedly failing to show up for work at the government department
which sends him a paycheck each month. His boss, Monsieur de la
Hourmerie, has decided that this can go on no longer and is not
impressed when he sees Boudin take a turn at a music hall. The
truth is that Hourmerie's department is one where anarchy reigns and
any whim is indulged in. To stave off boredom and insanity, the
functionaries are all driven to cultivate a sideline, safe in the
knowledge that no one outside the department would ever notice...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.