Film Review
Ordinarily, the reunion of Gérard Jugnot and Josiane Balasko, two
members of the popular comedy troupe
Le Splendid that first found
fame in the 1970s, would be cause for celebration. But to find these
two great comic performers mugging their way through a third rate comedy
that is merely content to rake over old clichés is hardly that - more
a cause for lamentation. Director Éric Besnard had a hit with
his 2008 thriller
Cash, which, despite
its ludicrous excesses, at least had the essential spark of originality about
it. His follow-up film
Mes héros is anything but original,
and it certainly doesn't have much substance to it - just a lazily thrown
together family reconciliation comedy that has as much feeling as a rain-soaked
block of granite.
The film commits many sins but the most unpardonable of these is the cynical
way it works into the vacuous narrative one of the most important social
concerns in France today - namely France's treatment of illegal immigrants
(which has a worrying resonance with the way the country dealt with Jews
during the Second World War). A small African boy due to be deported
to his country of origin is casually tossed into the narrative and has nothing
to do other than to act as a feeble plot device. Not even the slightest
attempt is made to give the unfortunate child an identity - he is just a
mute symbol of France's ambivalence towards illegal immigrants. It's
sickening to see such a serious issue dealt with in such an offhand manner.
Even if the film hadn't committed this facile political faux pas it would
still be pretty unwatchable. The script is so awful that not one member
of the cast comes off well. Balasko is her usual shouty self and, when
she is not hurling crockery at everyone, she looks as self-consciously dowdy
as ever. Jugnot likewise seems to have given up trying to be a serious
actor; he just allows himself to be pulled through this gutless trash like
a stray piece of metal drawn towards a magnet. Clovis Cornillac exudes
sincerity less readily than a block of granite drips haemoglobin and his
deadweight presence turns a merely bad film into one that is excruciating
to watch. And then there is Pierre Richard, randomly thrown in just
to make up the numbers - there seems to be no other reason why he is here,
other than to add yet another grotesquely ill-conceived comedy to his increasingly
flaky filomgraphy.
Mes héros is so bad that it actually
hurts to watch it.
© James Travers 2016
The above content is owned by filmsdefrance.com and must not be copied.
Film Synopsis
Maxime is willing to sacrifice everything, even his family, to ensure that
he can make a success of his ambulance business. But when he learns
that his sexegenarian mother Olga has been taken into police custody after
a violent altercation, he drops everything and comes to her aid. Apparently
Olga has no need of Maxime's help, or his sympathy, but she allows him to
drive her back to her husband, Jacques, even though they have fallen out.
On the way, they pick up the son of an illegal African immigrant, in the
hope of preventing his deportation. Over the eventful few days that
follow, Maxime begins to see another side to his parents and discovers what
family life really means...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.