Mata Hari (1931)
Directed by George Fitzmaurice

War / Drama / Romance

Film Review

Abstract picture representing Mata Hari (1931)
The third and most memorable screen portrayals of the life and death of Mata Hari is the one that contributed most to the myth of the infamous dancer-turned-spy.  It also added to the mystique of the actress who played her, Greta Garbo, who by this stage in her career was the most famous actress in the world.  The Swedish Sphinx is a perfect casting choice for the part of the alluring temptress, combining an obvious earthy beauty with an ethereal exotic charm that makes her an unattainable object of desire.  It may not be Garbo's best film but it was her most commercially successful.

Although daring and ambitious when it was made, when viewed today Mata Hari creaks with age, and it is hard not to laugh at some of its unintentionally funny clichés.  In common with many early sound films, the quality of the visuals is badly restrained by the limitations of the recording technology of the period, although there are a few sequences which rise above this and make a great impact.

Whilst the film may fall down in its production design and screenplay, this is more than compensated by the quality of the performances.  Not only is Garbo on fine form, there are some equally impressive contributions from her co-stars. Lionel Barrymore and Lewis Stone.  Mata Hari may not be perfect but it occupies an important place in film history and, whilst it may not be historically accurate, it has great entertainment value.
© James Travers 2008
The above content is owned by filmsdefrance.com and must not be copied.

Film Synopsis

France, 1917.  Mata Hari is an erotic dancer that no man can resist - which makes her job as a German spy all the more easy.  At the request of her boss, Andriani, she seduces a young Russian lieutenant named Alexis Rosanoff so that other enemy operatives can steal a secret message containing details of important military manoeuvres.  When her former lover, the ageing General Shubin, learns that she has passed him over for a younger man, he is furious and threatens to expose the dancer's espionage activities.   Mata Hari has no choice but to kill him.  Hearing that Rosanoff was badly injured on his return flight to Russia, she hastens to the hospital where he is being treated, realising, for the first time in her life, that she is in love.  Aware that Mata Hari's usefulness is over, Andriani sends one of his men to execute her...
© James Travers
The above content is owned by filmsdefrance.com and must not be copied.


Film Credits

  • Director: George Fitzmaurice
  • Script: Benjamin Glazer, Leo Birinsky, Doris Anderson (dialogue), Gilbert Emery (dialogue)
  • Cinematographer: William H. Daniels
  • Music: William Axt
  • Cast: Greta Garbo (Mata Hari), Ramon Novarro (Lt. Alexis Rosanoff), Lionel Barrymore (General Shubin), Lewis Stone (Andriani), C. Henry Gordon (Dubois), Karen Morley (Carlotta), Alec B. Francis (Caron), Blanche Friderici (Sister Angelica), Edmund Breese (Warden), Helen Jerome Eddy (Sister Genevieve), Frank Reicher (The Cook-Spy), Mischa Auer (Firing Squad Victim 3), William Bailey (Dubois' Aide), Reginald Barlow (Prosecutor), Frederick Burton (Major at Executions), Harry Cording (Ivan), Cecil Cunningham (Lady Gambler Selling Ring), Gordon De Main (Ambassador's Aide), Maude Turner Gordon (Madame Durand), Anthony Jowitt (Young Officer)
  • Country: USA
  • Language: English
  • Support: Black and White
  • Runtime: 89 min

The very best of French film comedy
sb-img-7
Thanks to comedy giants such as Louis de Funès, Fernandel, Bourvil and Pierre Richard, French cinema abounds with comedy classics of the first rank.
The best of Indian cinema
sb-img-22
Forget Bollywood, the best of India's cinema is to be found elsewhere, most notably in the extraordinary work of Satyajit Ray.
The best French Films of the 1910s
sb-img-2
In the 1910s, French cinema led the way with a new industry which actively encouraged innovation. From the serials of Louis Feuillade to the first auteur pieces of Abel Gance, this decade is rich in cinematic marvels.
The best of American film noir
sb-img-9
In the 1940s, the shadowy, skewed visual style of 1920s German expressionism was taken up by directors of American thrillers and psychological dramas, creating that distinctive film noir look.
The best French Films of the 1920s
sb-img-3
In the 1920s French cinema was at its most varied and stylish - witness the achievements of Abel Gance, Marcel L'Herbier, Jean Epstein and Jacques Feyder.
 

Other things to look at


Copyright © filmsdefrance.com 1998-2024
All rights reserved



All content on this page is protected by copyright